Jonathan, I CAN see a shift in 2:14, but I don't see it as one toward a
more distinct address to the listeners (and you are right to emphasize how
it sounds, because it was surely written to be read aloud to an audience);
it looks to me more like the rhetorical climax of the whole sequence that
started with the initial GRAFW.
Another thought occurs to me as I muse at the keyboard, and maybe this will
bring the discourse analysts out of the woodwork or wherever they are
hiding: I've never attempted to analyze 1 John in terms of its unity; while
I think that the opening passage with its echo of the prologue of the
gospel must be meant to have its initial position, the letter as a whole
really seems to have a very loose structure (as does SOME of the gospel of
John also, in fact): the sections do not appear to have a distinct
organization but rather to be distinct rhetorical units by themselves and
to have a sort of homiletic or parenetic character in general rather than
that of a real letter--that is to say, it's more like Ephesians than like
one of the undisputedly authentic letters of Paul. Yet parts of it, and in
particular this GRAFW/EGRAYA section, DO look like they belong to a real
letter. I wonder then whether this section could have been composed
originally as the finale of a letter but have lost a final position because
other material was added to form a larger collection of units. IF SO, then
that shift from GRAFW to EGRAYA would make a lot more sense in more than
one way: (1) the marked conclusion of that final 3-clause hOTI segment
would indeed be a fitting climax to 2:12-14; (2) the whole section 2:12-14
might well be understood as composed originally as a closer to a letter;
and (3) the EGRAYA in that case could better be understood as epistolary in
the normal sense in which grammarians use the term.
I've just taken a look at Bultmann's Hermeneia commentary on the Johannine
Epistles (tr. from his 14th German edition of 1967); while I'm sure that
many volumes have been written more recently, I see that Bultmann assumes
several stages of development of the whole, including what he calls an
"independent writing, or perhaps more appropriately, a rough draft" in
1:5-2:27. I note another "epistolary" EGRAYA in 2:27.
Another can of worms, Jonathan, but a most interesting one.
Carl W. Conrad
Department of Classics, Washington University
One Brookings Drive, St. Louis, MO, USA 63130
(314) 935-4018
cwconrad@artsci.wustl.edu OR cwc@oui.com
WWW: http://www.artsci.wustl.edu/~cwconrad/