The 3-Act Paradigm at Work: Memento
written by Christopher Nolan
At first glance Memento might seem to be
without traditional dramatic structure, so different and circular are
its storytelling strategies. However, this is not true. This "puzzle
movie" stays true to the principles of traditional storytelling, which
again attests to the power and flexibility of the paradigm.
Structural Analysis
- Hook (0)
- A man asks himself, Where are you? He has a Polaroid of what
appears to be a crime scene. He has scratches on his face.
- Complication (7)
- The man has no short-term memory.
- Call to Action (15)
- He is on a mission of revenge. He has a gun.
- Act One Plot Point (22, 32)
- He worries someone is setting him up, taking advantage of his
condition, getting him to kill the wrong guy. We are in a world of
repetition and paradox.
- Midpoint Plot Point (67,73)
- The woman who appears to have been helping him actually is
using him. She even tells him so, knowing he won't remember.
- Act Two Plot Point (104-6)
- He finds and kills the man he believes raped and murdered
his wife. But in reality he killed Jimmy, a drug dealer, the woman
above's boyfriend. A policeman (whom for a time was the prime suspect
for revenge) tells him the truth: he's been lying to himself to be
happy because he can't face the truth.
- Climax and Resolution (110)
- The man sets up his own circular hell. He notes on the Polaroid
of the cop not to trust him. He takes his murder victim's car and
drug money. He sets up the conditions for an endless replaying of the
same dilemma. He can't accept the truth.
Notes
This is a gripping puzzle movie that uses a very unusual story strategy
based on repetition and expansion, as fragments of the story reappear,
grow, and reveal their relationships to one another. The journey of
the audience through the paradigm mirrors the journey of the protagonist.
In the end, it's been great fun but pretty much all head, no heart, and
the movie doesn't linger long once the puzzle has been solved or dismissed.
MODULE 4: SCREENWRIGHT: the craft of screenwriting
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