The Fiddler’s Companion
© 1996-2009 Andrew Kuntz
_______________________________
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MID - MILK |
Notation
Note: The tunes below are recorded in what
is called “abc notation.” They
can easily be converted to standard musical notation via highlighting with
your cursor starting at “X:1” through to the end of the abc’s, then
“cutting-and-pasting” the highlighted notation into one of the many abc
conversion programs available, or at concertina.net’s incredibly handy “ABC
Convert-A-Matic” at http://www.concertina.net/tunes_convert.html **Please note that the abc’s in the Fiddler’s
Companion work fine in most abc conversion programs. For example, I use
abc2win and abcNavigator 2 with no problems whatsoever with direct
cut-and-pasting. However, due to an anomaly of the html, pasting the abc’s
into the concertina.net converter results in double-spacing. For
concertina.net’s conversion program to work you must remove the spaces
between all the lines of abc notation after pasting, so that they are
single-spaced, with no intervening blank lines. This being done, the F/C
abc’s will convert to standard notation nicely. Or, get a copy of
abcNavigator 2 – its well worth it.
[AK] |
MID LOTHIAN PIPE BAND. See “Midlothian Pipe Band.”
MID WAY, THE. English, Jig.
MIDDLE GROVE. Old-Time, Breakdown. USA, Missouri. G Major. Voyager
VRCD 344, Howard Marshall & John Williams – “Fiddling Missouri” (1999.
Learned from Little Dixie area fiddler Frank Reed {c. 1904-1985} who likely
learned it from either Clate “Peggy” Ransdell of Moberly or African-American
fiddler Walt Dougherty of Higbee).
MIDDLE ISLAND HORNPIPE. Canadian, Hornpipe. D Major. Standard. AABB.
X:1
T:Middle Island Hornpipe
C:H.Scoot
S:The Maritime Fiddler
M:2/4
L:1/16
K:D
fe|:"D"dcdA
FABA|"G"GFGD "Em"B,2ED|"A7"CEA,C
EA,CE|"D"DEFG A2fe|!
dcdA FABA|"G"GFGD
"Em"B,2ED|"A7"CEA,C EA,CE|"D"D2DD D:||!
FG|:AFDF Acdc|"G"BGDG
BdcB|"D"AFDF AFDF|"a7"GFED E2FG|!
"D"AFDF Acdc|"G"BGDG
BdcB|"A7"Acef (3gbe ce|d2dd d:||!
MIDDLE ROW HARLEQUIN. English, Jig. F Major. Standard
tuning. AB. Geoghegan (Compleat Tutor for
the Pastoral or New Bagpipes), c. 1745-46; pg. 32.
X:1
T:Middle Row Harlequin
M:6/8
L:1/8
R:Jig
S:Geoghegan – Compleat Tutor for the Pastoral or New Bagpipes (c. 1745-46)
Z:AK/Fiddler’s Companion
K:F
F2c cAF | E2G GEC | F2c cAF | FAc f3
| F2c cAF | E2G GEC | DEF GEC | DEF F3 ||
cdc cAF | FAc fed | cBA GAF | EFG
ECc | AFd BGf |
MIDDLESEX FARMER, THE.
English, Country Dance Tune (cut time). D Major. Standard tuning. AABB.
The melody is unique in published works to Charles and Samuel Thompson’s Compleat
Collection, vol. 3 (London, 1773). It is also contained in the 1840 music
copybook of Cumbrian musician John Rook. Thompson (Compleat
Collection of 200 Favourite Country Dances, vol. 3), 1773; No. 144.
X:1
T:Middlesex Farmer, The
M:C|
L:1/8
B:Thompson’s Compleat Collection of 200 Favourite Country Dances, vol. 3 (London, 1773)
Z:Transcribed and edited by Flynn Titford-Mock, 2007
Z:abc’s:AK/Fiddler’s Companion
K:D
D|F(AA)B
defd|dBAB efeE|FAAB defg|(f/g/a) ef dDD:|
|:a|fdad fgab|fdad f(ee)a|fdad fgab|fdec dDD:||
MIDDLETOWN HORNPIPE. American, Hornpipe. F Major. Standard tuning. AABB. This is perhaps the
same “Middletown Hornpipe” that was printed in Original Dances, Walzes & Hornpipes for
the Violin, by M. Higgens,
published in 1829. Source
for notated version: Gilbert Ross [Phillips]. Phillips (Traditional American Fiddle Tunes), vol. 2, 1995; pg. 207.
MIDDLING, THANK YOU. Scottish, Jig. G Major. Standard tuning. AB. Hunter (Fiddle Music of Scotland), 1988; No.
287.
MIDLOTHIAN PIPE BAND, THE. Scottish, March (6/8 time). D Major. Standard tuning.
AABB'. Composed by P.M. Beaton. The tune is also played as a jig. Martin (Ceol na Fidhle), vol. 2, 1988; pg. 24. WS 031703, Wendy MacIsaac – “Timeline” (2003).
MIDNIGHT [1]. American, Dance Tune (2/4 time). D
Major ('A' part) & G Major ('B' part). Standard tuning. AABB. Ford (Traditional Music in America), 1940; pg.
71.
MIDNIGHT [2]. Shetlands, A Shetland
Reel/Jig? Shetlands, Island of
Yell? F Major. Standard tuning. AABB'.
A tune from the early Shetland dance tradition when older tunes were played and
danced in a rhythm that is neither duple or triple. Cooke (The Fiddle Tradition of the Shetland Isles), 1986; Ex. 25, pg. 76.
MIDNIGHT [3]. AKA and see “Owl Hoot.” Old-Time, Breakdown. USA, Kentucky. A
Mixolydian. Standard tuning. AB (Titon/Woodward): AABB (Titon/Masters). The
source for the tune is African-American fiddler Jim Booker, of Jessamine
County, Ky., whom Mark Wilson says would play this somewhat odd tune at a dance
late in the evening, allegedly in hopes of inducing a fight so that he might
take a rest! Sources for notated version: John Masters (Lexington, Fayette
County, Ky., c.1975) [Titon]; Jim Woodward (Camp Nelson, Jessamine County, Ky.,
1979) [Titon].Titon (Old-Time Kentucky Fiddle Tunes), 2001; Nos. 104-A,
104B, pgs. 132-133. McDirlam Greene MGP Productions,
Bruce Greene & Hilary Dirlam - "Fiddler's Dozen" (1994. Learned
from African-American fiddler Jim Booker via Frankfort, Ky., fiddler Kelly
Gilbert {or vice-versa}). Rounder CD 0377, “Traditional Fiddle Music of
Kentucky, Vol. 2.” Rounder Heritage Series 1166-11592-2, Jim Woodward (et al) –
“The Art of Traditional Fiddle” (2001. Woodward was an elderly white farmer who
knew Booker and played some of his tunes).
MIDNIGHT BREAKDOWN. Old‑Time. The title appears in a list of traditional Ozark
Mountain fiddle tunes compiled by musicologist/folklorist Vance Randolph,
published in 1954.
MIDNIGHT DANCE, THE (Rince Meadon-Oidce). Irish, Hornpipe. G Major. Standard
tuning. AABB. Source for notated version: Chicago Police Sergeant James
O’Neill, a fiddler originally from County Down and Francis O’Neill’s
collaborator [O’Neill]. O'Neill (Krassen), 1976; pg. 176. O'Neill (Music of Ireland: 1850 Melodies),
1903/1979; No. 1608, pg. 298.
X:1
T:Midnight Dance, The
M:2/4
L:1/8
R:Hornpipe
S:O’Neill – Music of Ireland (1903), No. 1608
Z:AK/Fiddler’s Companion
K:G
D | G/F/G/A/ G/B/d/B/ | A/G/A/B/
A/B/c/B/ | A/B/c/d/ e/f/g/e/ | d/g/f/e/ d/c/B/A/ |
G/F/G/A/ G/B/d/B/ | A/G/A/B/ A/B/c/B/
| A/B/c/d/ e/f/g/e/ | d/c/B/A/ G :|
|:B | A/d/c/d/ A/g/f/e/ | d/e/f/g/
af | e/f/g/e/ c/A/B/c/ | d/f/e/c/ AF |
A/d/c/d/ A/g/f/e/ | d/e/f/g/ af |
e/f/g/e/ c/A/B/c/ | df d :|
MIDNIGHT HOUR, THE. American. The 'A' part strongly resembles
Bayard's "Ben Walker's Walk‑Around"
(1981, No. 371, pg. 362). Cushing (The
Fifer's Companion, No. 1), 1805; No. 60.
MIDNIGHT JIG, THE. English, Jig. G Major. Standard tuning. AAB. A
modern composition by Julie Preston. Knowles (A Northern Lass), 1995; pg. 30.
MIDNIGHT ON THE WATER. Old‑Time, Waltz. USA, Texas. D Major. DDad tuning. AABB
(Spandaro): AA'BB' (Brody, Matthiesen, Reiner & Anick). This popular
composition is usually credited to Texas fiddler Luke Thomasson, although it
has been published that Luke's son Benny (a famous Texas‑style fiddler
who popularized the melody) long remembered the night he heard both his
father and uncle composing the tune on the family porch (c. 1900?). Several
sources have noted this tune’s resemblance to an Oklahoma-collected tune called
“Old Paint,” and there is an ongoing
debate about whether “
X:1
T:Midnight on the Water
L:1/8
M:3/4
K:D
DE|”D”.F2.F2 .FE|.F2.F2 .FE|FA3 B|A2
F2 DE |F2 d2 “G”B2|”D”A2F2 DE|”A”F2AFEF|”D”D4:|
|:”D”(3ABc|d4 de|d2c2 Bc|d4B AF|D4
d2|”Em”e4 ef|e2d2e2|”Bm”f3a fe|d2B2c2|”G”{c}d3c de|
dc BA Bc|”D”d3B AF|D4 DE|F2d2 “G”(Bd)|”D”A3(D
DE)|”A”F2 (AFEF)|”D”D4:|
MIDNIGHT RAMBLE [1], THE. Irish, Slide (12/8 time). Green Linnet GLCD 1184, Patrick Street – “Made in Cork”
(1997).
MIDNIGHT RAMBLE [2], THE.
English, Jig. C Minor. Standard tuning. AABB. There are several other
tunes by this name in country dance repertoire, however, this particular melody
seems unique to London publisher Charles and Samuel Thompson’s 1765 collection.
Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 2),
1765; No. 57.
X:1
T:Midnight Ramble, The [2]
M:6/8
L:1/8
B:Thompson’s Compleat Collection of 200 Favourite Country Dances, vol. 2 (London, 1765)
Z:Transcribed and edited by Flynn Titford-Mock, 2007
Z:abc’s:AK/Fiddler’s Companion
K:Cmin
c|=Bgg gd|ecc =BGG|AFF GEE|FDG ECC|=Bgg gdd|ecc d=BG|cGE AFG|ECC C2:|
|:G|ECG =B,G,c|=Bge|dG^f|g=fg cde|=BGG G2d|ecc dGG|AFF BEE|FDD EFG|ECC C2:||
MIDNIGHT RAMBLE [3], THE. English, Country Dance Tune (cut time). D Major. Standard tuning. AABB. The melody is unique to Charles and Samuel Thompson’s third country dance collection (London, 1773). Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 3), 1773; No. 49.
X:1
T:Midnight Ramble, The [3]
M:C|
L:1/8
B:Thompson’s Compleat Collection of 200 Favourite Country Dances, vol. 3 (London, 1773)
Z:Transcribed and edited by Flynn Titford-Mock, 2007
Z:abc’s:AK/Fiddler’s Companion
K:D
Bc|d4
A4|F3E D2F2|E2c2E2c2|d2A2 DEFD|d4 A4|F3E D2A2|B2G2F2E2|D/D/D D2z2:|
|:ag|f3e d2a2|f2d2 fgaf|e3d c2g2|e2c2 efge|f2d2g2e2|a2f2b2g2|f2d2e2f2|d/d/d d2z2:||
MIDNIGHT SERENADE [1]. AKA and see "Too Young to Marry [1],"
"Chinky Pin," "Sweet Sixteen," "Fourth of July," "Farmer Had a Dog," "Yellow Eyed Cat," "Buffalo Nickel [1]," "My Love is/She's But a
Lassie Yet [1]," "Lead Out,"
"Hair in the Butter,"
"Ten Nights in a Bar Room,"
"Richmond Blues," "I'm My Momma's Darling (Child),"
"Darling Child." The theme song of the Old Virginia Fiddlers, Patrick
County, Virginia, who recorded a few sides in the late 1940's. It was also
recorded in 1929 by J.W. “Babe” Spangler of Meadows of Dan, Virginia. County 201, "The Old Virginia Fiddlers: Rare
Recordings." Okeh 45387 (78 RPM), "The Old Virginia Fiddlers."
MIDNIGHT SERENADE [2]. AKA and see "Buffalo Gals [1]," "Roundtown Girls," "Lubly Fan." American, Reel. The melody,
usually known as "Buffalo Gals," appears under this title in George
P. Knauff's Virginia Reels, volume IV
(Baltimore, 1839). In 1844 the melody was published as a song, "Lubly
Fan," composed by a blackface minstrel with the Virginia Serenaders by the
name of Cool White. He is generally credited with originating the tune,
however, Knauff's publication predates White's and it may be that the tune was
already well-established, states Alan Jabbour. The title "Midnight
Serenade" also alludes to the lyrics of the song, which implore "Come
dance by the light of the moon."
MIDNIGHT WALTZ [1]. Old‑Time, Waltz. USA,
Alabama. Vocalion 5468 (78 RPM), Stripling Brothers
(1929) {
MIDNIGHT WALTZ [2]. Bluegrass, Waltz. C Major. Standard
tuning. AABCCDD. May be the same as [1]. Reiner (Anthology of Fiddle Styles), 1979; pg. 42.
MIDNIGHT WALTZ [3]. AKA and see "Valse de Minuit." Cajun.
MIDSUMMER NIGHT, THE. AKA and see “Vincent Broderick’s.” Irish, Reel.
Composed by flute player Vincent Broderick, a member of the Kincora
Ceili Band from 1952-1957.
“Midsummer Night” is often played in a set with two other Broderick
compositions, “The Tinker’s Daughter” and “The Crock of Gold.” Green Linnet GLCD 1200, Lunasa – “Otherworld” (1999). Philo
1051, Boys of the Lough ‑ "Good Friends, Good Music" (1977).
MIDWAY TWO-STEP. See "Wafus Two-Step."
MIDWINTER BLOSSOM. American, Waltz. G Major.
Standard tuning. AB. Composed by keyboard player Bob Pasquarello in 1989.
Barnes (English Country Dance Tunes,
vol. 2), 2005; pg. 36 (appears as “An Early Frost”, the name of a dance by
Philippe Callens set to the tune).
MIDWINTER WALTZ [1]. American, Waltz. G Minor. Standard tuning. ABC. Composed in 1988 by
Larry Edelman (Baltimore, MD), after attending a mid‑winter ball in
Baltimore. Matthiesen (The Waltz Book),
1992; pgs. 62‑63.
MIDWINTER WALTZ [2]. Scottish, Waltz. G Major. Standard tuning. AA'BB'B". Composed in
1994 by Dave Richardson (Edinburgh, Scotland) of the Boys of the Lough, based
on a favorite carol remembered from his youth, "In the Bleak
Midwinter." Matthiesen (The Waltz
Book II), 1995; pg. 38. Boys of the Lough -
"The Day Dawn."
MIGHTY MIKE’S. Irish, Reel. D Major. Standard tuning. AABB. Composed by Falmouth,
Massachusetts, musician and writer Bill Black. Black (Music’s the Very Best Thing), 1996.
X:1
T: Mighty Mike's
C: © B. Black
Q: 350
R: reel
M: 4/4
L: 1/8
K: D
A2 FA dcBA | dcBA FB B2 | A2 FA dcBd | faef dBBd |
A2 FA dcBe | fdec dBBd | AdcB AFEF | AFGE FD D2 :|
eAcA eAcA | FABc dcde | fa a2 bage | faef dBBd |
eAcA
eAcA | FABc dcde | fBBc dcBd | AFGE FD D2 :|
MIGHTY PRETTY VALLEY, THE. AKA and see "Reel o'/of Tulloch."
MIGHTY SPARROW, THE. Green Linnet GLCD
3127, Sharon Shannon – “The Best of Sharon Shannon: Spellbound” (1999).
MIGNONNE. See "Les Rangs de “
Soybean.”"
MIGNONETTE [1], LA. English (?), Country Dance Tune (6/8 time). F Major. Standard tuning.
AABBCCDD. McGlashan (Collection of Scots Measures), c. 1780;
pg. 18.
X:1
T:La Mignonette
M:6/8
L:1/8
B:McGlashan – Collection of Scots Measures
(c. 1780)
Z:AK/Fiddler’s Companion
K:F
F|A2 A AGF|c2c c2f|c2a c2B|A3
G2F|A2A AGF|c2c c2f|edc =Bcd|c3 c2:|
|:c|g2c b2a|g2f d2f|g2c b2a|g2f
e2c|def gab|cde fga|cBA BAG|F3 F2:|
|:A|A3 G3|F2F F2c|c3 B3|A2A A2f|f2e
e2d|d2c c2B|ABc cBA|G3 G2:|
|:c|_e2 e ecA|B2B B2d|f2f fd=B|c2c
c2g|b2a g2f|b2a g2f|dba gfe|f2f f2:|
MIGNONETTE [2]. English, Country Dance Tune
(3/4 time). G Major. Standard tuning. AA’BB. Composed by Terry Willetts in
1999. Barnes (English Country Dance Tunes,
vol. 2), 2005; pg. 84.
MIHI MANUM. AKA and see “Give Me Your Hand.”
MIKE AND CHARLIE. Old‑Time. The tune was recorded for the Library of Congress by
folklorist/musicologist Vance Randolph from
MIKE ANDERSON'S [1]. Irish, Reel. Mike Anderson was a piper.
MIKE ANDERSON'S [2]. AKA and see "Paddy
Cronin's [1]," "The
Flowers of Red Cliff." Irish, Jig. Mike Anderson was a piper.
MIKE BUCKLEY’S FAVOURITE. AKA and see “Ballynahulla No. 1,” “Ballyhoura Mountains,” “Cuz Teahan’s [1],” “Lucy Farr’s (Polka) [1],” “Teahan’s Favourite Polka.”
MIKE COEN’S. AKA and see “Mick
Coen’s.” Irish, Polka. E Minor. Standard tuning. AABB. Mike Coen is the
concertina-playing father of brothers Jack, Charlie and Anthony Coen, from
Woodford, County Galway. Mallinson (100
Polkas), 1997; No. 67, pg. 25. Green Linnet SIF 3067, Jack and Charlie Coen – “The Branch
Line” (1992. Reissue of Topic 12TS337). Topic 12TS337, Jack and Charlie Coen –
“The Branch Line” (1977).
MIKE
COEN’S FLING. Irish, Fling. G Major. Standard tuning. AB. Mike Coen
is the concertina-playing father of brothers Jack, Charlie and Anthony Coen,
from Woodford, County Galway. Green Linnet SIF 3067,
Jack and Charlie Coen – “The Branch Line.” Topic 12TS337, Jack and Charlie Coen
– “The Branch Line.”
X: 1
T: Mike Coen's Fling
S: Jack & Charlie Coen / "The Branch
Line" (Topic 12TS337)
M: 4/4
L: 1/8
Q: 320
Z: Transcribed by Bill Black
R: hornpipe
K: G
D2 | GFGB AGED | cBcd efge | B3 c dcAc | (3BAG
AF GDB,D |
GFGB AGED | cBcd efge | B3 c dcAc |1 (3BAG AF G2
:|2 (3BAG AF G2 D2||
(3gag df (3gag df | gbag edef | (3gag df (3gag
dB | cdef g3 d |
(3gag
df (3gag df | gbag edeg | bgaf ge d2 | (3efg dB AGAB ||
MIKE COEN’S. Irish, Polka. E Minor. Standard tuning. AABB. Mallinson (100 Polkas), 1997; No. 67, pg. 25. .” Green Linnet SIF 3067, Jack & Charlie Coen – “The Branch
Line.” Topic 12TS337, Jack & Charlie Coen – ‘The Branch Line.”
X: 1
T: Mike Coen's
S: Jack & Charlie Coen / "The Branch
Line" (Topic 12TS337)
M: 2/4
L: 1/8
R: polka
Z: Transcribed by Bill Black
K: Edor
E/F/ | GE BE | GE B>A | FD AD | F/E/D/F/
AB/A/ |
GE BE | GB d2 | ed BA |1 GE E2 :|2 GE E>F ||
G2 BA | G2 BA | F2 AF | ED DE/F/ |
GB
BA | G/A/B/c/ d2 | ed BA | GE E2 :|
MIKE
DUGGER’S. Irish, Reel. D Major. Standard tuning. AABB. Composed
by Falmouth, Massachusetts, musican and writer Bill Black. Mike Dugger is a
fiddler and guitar player from the Midwest, a one-time member of the band
Scartaglen.
X: 1
T: Mike Dugger's
C: © B.Black
N: “For a good friend and fine musician!”
M: 4/4
R: reel
L: 1/8
K: D
DFBF AFEF | AdBA FE (3EDE | DFBF ABde | faeg
fdBA |
DFBF AFEF | DFAB ABde | fdec dfec | dBAF ED D2
:|
cA (3AAA eA (3AAA | dfaf bfaf | ecef gfec | dfec
dafd |
cA
(3AAA eA (3AAA | dfaf bfaf | gfed cage | fdBc d4 :|
MIKE ELLSWORTH. Canadian, Clog (4/4 time). Canada, Cape Breton. A Major. Standard. AB.
Composed by Cape Breton fiddler and composer Dan R. MacDonald (1911-1976).
Cameron (Trip to Windsor), 1994; pg.
65.
MIKE FLYNN’S. AKA and see “McGovern’s,” “McGovern’s
Favorite,” “The Cottage in
the Grove [1]." Irish, Reel. A Dorian. Standard. AABB’. Mike Rafferty
gave it this title as he had the tune from Mike Flynn, a flute player
originally from
X:1
T:Mike Flynn's
D:Mike & Mary Rafferty, The Old
Fireside Music (1998)
N:Transposed from C dorian for
comparison
Z:Nigel Gatherer
M:4/4
L:1/8
K:A dorian
A>AAB GEDE|G2 Bd edBd|ea a2
gedB|A z BG AGED|A>AAB GEDE|G2 Bd edBd|
ea a2 gedB|AcBG A2 z2::a>aab
agef|gedB G2 (3Bcd|egfa gedB|
A z BG AGed|a>aab agef|gedB G2
(3Bcd|ea a2 gedB|AcBG A2 z2:|]
MIKE IN THE WILDERNESS. Old-Time, Breakdown.
MIKE MACDOUGALL’S. Canadian, Jig. Canada, Cape
Breton. G Major. Standard tuning. AABB.
The late Cape Breton fiddler and composer gave the tune the title,
having heard it from Mike MacDougall. However, the tune is traditional and
widely known among Cape Breton musicians. Dave MacIssac remembered part of a
ditty sung to the tune by his mother, who had learned it as a youngster in West
Lake Ainslie:
***
To see the elephant jump the fence
***
The ditty is a well-known jump-rope chant, whose next two lines are:
***
He jumped so high he touched the sky,
And never came back till the fourth of July.
***
Cranford (Jerry Holland: The Second Collection), 2000; No. 295,
pg. 105. Jerry Holland – “Master Cape Breton Fiddler”
(1982).
MIKE MACDOUGALL’S CAPE NORTH
DANCES. Canadian, Jig. Canada, Cape
Breton. A Major. Standard tuning. Composed by the late Cape Breton fiddler and
composer Jerry Holland (1955-2009). Cranford (Jerry Holland: The Second
Collection), 2000; No. 232, pg. 85.
MIKE MACDOUGALL’S 25TH
ANNIVERSARY. Canadian, Reel. Canada, Cape
Breton. E Minor. Standard tuning. AA’BC. Composed by the late fiddler and
composer Jerry Holland (1955-2009, Inverness, Cape Breton). Cranford (Jerry Holland’s), 1995; No. 144, pg. 41.
MIKE McGOLDRICK’S. Irish, Jig. D Major. Standard tuning. AA’BB’.
X:1
T:Mike McGoldrick's
C:Mike McGoldrick
R:jig
Z:id:hn-jig-358
Z:transcribed
by henrik.norbeck@mailbox.swipnet.se
M:6/8
L:1/8
K:D
fef efg|fdA GFE|FAd GBd|FAd B/c/de|
fef efg|fdA GFE|FAd GBd|1 Adc d2e:|2 Adc d2c||
|:~B3 BAF|~f3 fec|~e3 fec|Ace fec|
~B3 BAB|~f3 fec|1 ~e3 fec|BcA B2A:|2 ede ~f3|gfg a2g||
"variations"
|:~f3 gfg|fdA GAG|~F3 GFG|AF/G/A cde|
~f3 gfe|fdA ~G3|FEF ~G3|1 Adc d2e:|2 Adc d2c||
|:BcB BAB|f^ga fec|ece fec|Ace aec|
BcB BAF|f^ga fec|1 ece fec|BcA B2A:|2 ~e3 fef|~g3 a2g||
MIKE MOLONEY’S. Canadian, Jig.
MIKE
PRESTON'S REEL. AKA and see “Fred Finn’s No. 2.” Irish, Reel.. G Major. Standard tuning. AB. Source for notated
version: flute player and piper Tommy Hunt (b. 1908, Lissananny, Ballymote,
County Sligo) [Flaherty]. Breathnach (CRÉ
III), 1986; No. 104. Flaherty (Trip
to Sligo), 1990; pg. 129.
MIKE SAUNDER’S JIG. Canadian, Jig. Canada, Cape Breton. D Major. Standard tuning. AA’BB’.
Composed by fidddler Jerry Holland (Inverness, Cape Breton). Cranford (Jerry Holland’s), 1995; No. 227, pg. 66.
MIKE SCOTT’S. AKA and see “Kings of Kerry.” Irish, Slide (12/8 time). Ireland, West Kerry. G Major. Standard
tuning. AABB’. Mac Amhlaoibh & Durham, No. 80, pg. 45.
MIKE SULLIVAN’S
HORNPIPE [1]. Irish, Hornpipe. A Mixolydian.
Standard tuning. AABB. Mike Sullivan was a musician and set dancer from
Kilcummin, in Kilarney. See also the related set dance “Madam(e) Bonaparte.”
Source for notated version: presumably Mike Sullivan via accordion player
Johnny O’Leary (Sliabh Luachra region of the Cork-Kerry border) [Moylan]. Ceol, vol. 5, No. 1 (appears as “Tom Billy’s
Hornpipe”). Moylan, (Johnny O’Leary)
1994; No. 78, pg. 45. Topic 12T357, Johnny O’Leary -
“Music for the Set” (1977).
MIKE SULLIVAN’S
HORNPIPE [2]. AKA and see “The Threshing Reel.” Irish,
Hornpipe. A Mixolydian. Standard tuning. AA’BB’. Source O’Leary and fiddler
Denis Murphy heard this tune played on the jews harp by one Kilcummin musician,
Mike Sullivan, in the Jug of Punch in Killarney. Murphy returned the next day
to make sure he had it accurately (Moylan). Source for notated version:
accordion player Johnny O’Leary (Sliabh Luachra region of the Cork-Kerry
border) [Moylan]. Moylan (Johnny O’Leary),
1994; No. 254, pg. 146. Gael-Linn CEF092, Julia and
Billy Clifford - “Coel as Sliabh Luachra” (appears as “The Threshing Reel”).
MIKEY BUCKLEY’S. Irish, Polka. Ireland, Sliabh
Luachra region of the Cork-Kerry border. D Major. Standard. AABB. Source
O’Leary explained to editor Terry Moylan (1994):
***
(Mike Buckley)...was a fiddle player above Cnoc na Gaoithe,
learned by Padraig O’Keeffe, he died
of TB at the age of
twenty-five. A fine man. Jesus ‘tis
years back. I played
with him, that’ll tell you now. He’d
be about my age now
if he lived. Poor divil, he gave no
battle with it. He was a
big strong, soft heavy lad. It ran
through him. At that time
they had no cure for it. A pile of
people died who wouldn’t
die today with it.
***
Source for notated version: accordion player Johnny O’Leary (Sliabh Luachra
region), recorded at Na Piobairi Uilleann, Octobe, 1984 [Moylan]. Moylan (Johnny O’Leary), 1994; No. 148, pg. 86.
MIKE BUCKLEY’S FAVOURITE. Irish, Polka. A Mixolydian. Standard. ABB. Source for notated version:
fiddler Padraig O’Keeffe via fiddler Mike Buckley (Cnoc na Gaoithe) via
accordion player Johnny O’Leary (Sliabh Luachra region of the Cork-Kerry
border) [Moylan]. Moylan (Johnny O’Leary),
1994; No. 256, pg. 147. Topic 12T312, “Billy Clifford”
(appears untitled).
MIKE IN THE WILDERNESS. Old-Time, Breakdown. USA, Kentucky.
The tune is sourced to Kentucky fiddler John Morgan Salyer. It has been
suggested (without supporting data) that the title refers to Civil War era
Brigadier-General Micah Jenkins (1835-1864), who perished in the battle of the
Wilderness, 1864. Jenkins was from South Carolina, a graduate of the Citadel,
and fought in many major campaigns during the war. He was wounded several
times, and had to be transported to his last battle in an ambulance.
Unfortunately, he was the victim of “friendly fire.”
MIKE’S FANCY. Canadian, Jig. Canada, Cape Breton. G Major. Standard. AABB. Composed
by fiddler Jerry Holland (Inverness, Cape Breton). Cranford (Jerry Holland’s), 1995; No. 264, pg. 76.
Cranford Publications CP-R2, “Jerry Holland Solo”
(1988).
MIKE’S JIG. Irish, Jig. G Major. Standard. AABB. Composed by Houston whistle player
Larry Mallette. Black (Music’s the Very
Best Thing), 1996; No. 217, pg. 117.
X:1
T: Mike's Jig
C: L. Mallette
Q: 375
R: slide
Z:Transcribed by Bill Black
M: 12/8
L: 1/8
K: G
D | G3 ABA G3 geB | d3 edB A3 ABA |
G3 ABA GBd g2 e | d3 ABA G3-G2 :|
B | c3 Ace B3 GBd | A3 BAG E3 D2 D |
G3
ABA GBd g2 e | d3 EBA G3-G2 :|
MIKIE DUGGAN’S. AKA and see “Mick Duggan’s
Polka [3].” Irish, Polka. D Major. Standard tuning. AA’BB’. Source for
notated version: accordion player Johnny O’Leary (Sliabh Luachra region of the
Cork-Kerry border) [Moylan]. Moylan (Johnny
O’Leary), 1994; No. 257, pg. 147.
MIKO RUSSELL’S FAVORITE. See “Micho Russell’s
Favorite.”
MIL NA MAIDÍ. AKA and see “Crushing of Twigs.”
Irish, Reel. D Major. Standard tuning. ABCD. Philippe Varlet points out that
this tune is an clever reworking of Doherty’s “Pinch of Snuff.” Source for notated
version: fiddler John Doherty,
1965 (
MILD MABEL KELLY. AKA and see "Mabel Kelly."
Irish, Planxty. A composition of Turlough O'Carolan for a patron.
MILD O'REILLY. Irish, Air (3/4 time). D Dorian. Standard tuning. AB. "A song of
(the) 1798 (rebellion) was written to this" (Joyce). Source for notated
version: Hugh O'Beirne, professional fiddler from Ballinamore, Co. Leitrim, c.
1846 (Joyce). Joyce (Old Irish Folk Music
and Songs), 1909; No. 637, pgs. 323‑324.
MILD PRETTY GIRL, THE (An Cailin Deas Modhamhuil). Irish, Slow Air (3/4 time). D
Minor. Standard tuning. One part. Joyce (Old
Irish Folk Music and Songs), 1909; No. 706 pg. 353.
X:1
T:Mild
Pretty Girl, The (An Cailin Deas Modhamhuil)
M:3/4
L:1/8
R:Air
S:Joyce – Old
Irish Folk Music and Songs (1909), No. 706
Z:AK/Fiddler’s
Companion
K:Dmin
Ac | d2d2
ed | d2c2 Ac | d2d2 cA | c4 ed | A2 G/E/D ED | D2D2 DE |
F2F2 dc | A2G2
AG | F2F2ED | E2A2 AG | E2D2D2 | D4 ||
MILE, THE. English, Reel. England, Northumberland. G
Major. Standard tuning. AABB. Hall & Stafford (Charlton Memorial Tune Book), 1974; pg. 57. Raven (English Country Dance Tunes), 1984; pg.
183.
MILE END ASSEMBLY.
English, Jig. F Major. Standard tuning. AABB. The melody first appears
in John Johnson’s Choice Collection of 200 Favourite Country Dances,
vol. 6 (London, 1751). It also appears in the (probably) Dutch collection of G.
Willsim called Recueil de 24 Contredances Angloise Les Plus Usite (1755). The
Mile-end was in Stepney, east Whitechapel, London, and was an unfashionable
district. The assemblies there were open to the public through the purchase of
a ticket. Robert Plumer Ward, in his book Pictures of the World at Home and
Abroad (1832), gives this sketch:
***
At eight o’clock on a Monday
evening, Mr. and Mrs. Maxfield, attended by their nephew,
entered the ball-room of the George
and Vulture. It was some fifty feet long, formed by
throwing down the partitions of
three other rooms, into which it had usually been divided.
musicians, certainly not Weippert’s,
under which sat Mr. Deputy Robson, Mr. Jobson, Mr.
Hobson, Mr. Dobson, and their
ladies, and sundries of their progeny, from the ages of
fifteen to twenty. These instantly
made room for among them from Mr. and Mrs. Maxfield,
who were much respected by them, and
who introduced their nephew to them in form.
***
Robert’s heart smote him as the
awful ceremony proceeded. For the first time for several
months, his old malady recurred; and
he looked fearfully up and down the room, to see if
any of the companions of his former
greatness might not, by some miracle, be witnessing
this momentous débût. All, however, was safe;
and tea and bread and butter, and a slight
portion of cake, were handed round,
previous to the commencement of the “Cameronian
Rant’; for waltzes and quadrilles
had not then, as we know, reached England, much less
the George and Vulture. (pg. 349).
***
Thompson (Compleat
Collection of 200 Favourite Country Dances, vol. 1), 1757; No. 14.
X:1
T:Mile End Assembly
M:6/8
L:1/8
B:Thompson’s Compleat Collection of 200 Favourite Country Dances, vol. 1 (London, 1757)
Z:Transcribed and edited by Flynn Titford-Mock, 2007
Z:abc’s:AK/Fiddler’s Companion
K:F
f/e/|f2c A2G|FAG F2f|a>ba g2f|efg cfg|afd gec|fdc =Bgf|
e>fg Gc=B|c2C C2::g/f/|e2g c2 a/g/|f2a d2b|agf ed^c|
d2d
d2 f/e/|dgb cea|Bdg 2 f/e/|d>ef cfe|f3 f2:||
MILE FROM DUBLIN, A. AKA and see "Within
a Mile of Dublin [1]," "The
Meadow in Bloom," "The Road
to Dublin," "The Maid of
Ballintra," "The Kerry
Lasses [2]," "Sarah's Reel,"
"You're a long time a
courting," "The Club Reel,"
"Through the Fields [3]."
MILE FROM EDINBURGH TOWN, A. See “’Twas Within a Mile
from Edinboro Town.”
MILE TAING AN UGHDAIR. AKA and see "The Editor's Thanks to
Mr. Nathaniel Gow."
MILE TO RIDE, A. AKA and see “The Fleet's a
Coming," “Riding a Mile,”
"Stannerton Hopping," "Stamfordham Hopping” Scottish, English,
Irish; Slip Jig. England, Northumberland. G Major. Standard tuning. AABB. The
melody appears in Henry Playford's 1698 English
Dancing Master (Part II). "This tune has several titles by which it is
known to pipers, such as 'Stannerton (or Stamfordham) Hopping', 'Stanhope i'
Weardale' and 'The Fleet's a Coming'"" (Bruce & Stokoe).
Northumbrian musician William Vickers printed the melody three times in his
1770 music manuscript collection (as “A Mile toRide,” “Stanhope in Weardale,”
and “Stannerton Hopping”). It also appears in the 1800-1805 manuscript (as “A
Mile to Ride”) of Northumbrian smallpiper John Peacock (1754-1817) and that of
1812 from John Bell (c. 1864) (appears as “Stamfordham Hopping”). It is a
popular three-part slip jig in
X:1
T:Mile to Ride, A
M:9/8
L:1/8
R:Slip Jig
S:Bruce & Stokoe – Northumbrian
Minstrelsy (1882)
Z:AK/Fiddler’s Companion
K:G
dBd g2g f2d|g2B BcB d2e|dBd g2g f2d|ecA ABA c2e:|
|:dBG G2c B2c|dBG GAB c2e|dBB G2c B2d|ecA A2B c2e:|
X:2
T:Mile to Ride, A
M:9/8
L:1/8
R:Jig
S:William Vickers manuscript (1770)
K:G
dBd
gag fed|gdB BdB d2e|dBd gag fed|a2A
|:dBG
G2B dBG|d/c/B/A/G GAB d2g|dBG GAB dBG|ecA
MILESIAN, THE. English, Country Dance Tune (cut time). B Flat
Major. Standard tuning. AABB. Published before 1730. Raven (English Country Dance Tunes), 1984; pg.
32.
MILESTONE (JIG), THE. AKA and see "The Donegal Jig." Irish, Jig. G Major. Standard tuning. AA’BB’CC’DD’EE’FF’GG’HH’. The title is miss-labelled in Feldman's The Northern Fiddler, according to Caoimhin Mac Aoidh, and is actually a composition of classically-trained Irish musician Arthur Darley, who played and collected traditional music in the early 20th century and who lived for a time in County Donegal. Mac Aoidh maintains the Northern authors misheard their source, fiddler Danny O'Donnell, when he spoke to them about another of Darley's compositions, the reel "The Four Mile Stone." See note for “The Donegal Jig” for more information, since that appears to be the correct title. Source for notated version: fiddler Danny O’Donnell (County Donegal) [Feldman & O’Doherty]. Feldman & O’Doherty (The Northern Fiddler), 1979; pg. 184.
MILESTONE [1], THE. AKA and see "The Millstone." Irish, Reel.
MILESTONE [2], THE. AKA and see "Carrigaline," "It's a Hard Road to Travel,"
"Rocks of Cashel [1]" “Steeplechase [2].” Irish, Reel. C Major.
Standard tuning. AABB. McGuire and Keegan (Irish
Tunes by the 100, vol. 1), 1975; No. 54, pg. 14. Miller (Fiddler’s Throne), 2004; No. 213, pg.
132.
X:1
T:Milestone, The [2]
M:C|
L:1/8
R:Reel
K:C
G,C ~C2 EG ~G2|Addc dfed|cBcA GE
E2|GECE DCA,C|G,C~C2 EG ~G2|
Addc dfed|cBcA GE E2|GEDG EC C2::c2
ec gcec|~c2 ec dcAB|c2 ec ecec|
Addc dfed|c2 ec gcec|~c2 ec dcAc|eg
g2 ea a2|gedg ec c2:|
MILESTONE IN THE
GARDEN, THE. AKA and see “Humors of Westport,” “Pretty Peggy [5].” Irish, Reel.
Popularized by County Sligo fiddler James Morrison who recorded it in New York
in 1935. It is also known as “The Humors of Westport,” published by O’Neill
under that title. Morrison’s version is named for an actual milestone located
near Riverstown, Ireland, and today there is a roadside marker denoting the
spot. See also O’Neill’s “Bill
Clancy’s Delight” and the related tune “Pretty Peggy [5].” The melody may be
derived from a Scottish reel “The
Clydesdale Lasses.” Ceol, 1963 (Breathnach’s
article “The Man and His Music,” on Sonny Brogan).
See also listings at: Alan Snyder’s Cape Breton Fiddle
Recording Index Alan Ng’s Irishtune.info |
MILITARY SCHOTTISCHE. AKA and see "Pretty Baby,"
"National Schottische,"
"Russische Polka," "Texas Schottische," "Doppelpolka." American, Schottische or
Polka. G Major ('A' and 'B' parts) & C Major ('C' part) {Ford}: D Major
('A' part) & A Major ('B' and 'C' parts) {Phillips}. Standard tuning. ABCA
(Ford): AABBC (Phillips). An international tune known either as a polka,
schottische or barn dance. The melody is part of a very large tune family, with
the exception of the third part which appears to follow the early 19th
century convention of many marches and other martial tunes in that it was added
as a contrast, or filler, for the main melody(s). Many of these third parts,
usually in different keys, are called ‘trio’ parts. The German collector Boehme
(1886) gives the note "known in 1842, very popular up to 1860."
Kerr’s also gives the tune a German provenance, as it is listed in vol. 1 of Merry Melodies (c. 1880’s) simply under
the title “German Schottische” (where it is the second part of a duet, paired
against “Home, Sweet Home”). The 'A' part of the tune "Snyder's Clock" is also the same.
The first two parts are also closely related to the “Glenbeigh Hornpipe” family
of tunes. Ford (Traditional Music in
America), 1940; pg. 160. Phillips (Traditional
American Fiddle Tunes), vol. 2, 1995; pg. 86.
X:1
T:Military Schottische
M:2/4
L:1/8
R:Schottische
S:Ford – Traditional Music in America
(1940)
Z:AK/Fiddler’s Companion
K:G
(B/c/)|db ca|Bg g/d/B/G/|Af
f/e/d/c/|Bg g>d>B>c|
db ca|Bg g/d/B/G/|Af
f/d/c/A/|[GB][GB][GB]||
G(A/B/)
(c/d/)(e/f/)|g(B/c/)d2|e(c/d/) c(B/c/)|d(G/A/) B2|
G(A/B/) (c/d/)(e/f/)|g(B/c/)
d2|eA/B/ c/B/c/A/|[GB][GB][GB]||
K:C
e/f/|g/f/g/a/ ge|cc c/G/E/C/|DB
B/G/F/D/|Cc c/G/c/e/|
g/f/g/a/ ge|cc c/G/E/C/|DB
B/G/F/D/|[CE][CE][CE]||
MILITIA DANCE, THE.
English, Jig. A Major. Standard tuning. AABB. Northumbrian musician
William Vickers included a version in his 1770 music manuscript collection
under the title “."
MILK COW BLUES. American, Texas Swing tune. A Major. Standard tuning. AA’B. The tune has been attributed to Kokomo Arnold, who recorded it as “Milkcow Boogie Blue” in 1934, but was soon picked up by jazz and western swing bands and much recorded. Beisswenger & McCann (2008) record that community lore has it that Alton Jones composed it while milking his cow one morning. Source for notated version: Alton Jones (1918-2002, Theodosia, Mo.), learned from Johnny Lee Wills [Beisswenger & McCann]. Beisswenger & McCann (Ozark Fiddle Music), 2008; pg. 83. Rounder CD 0437, Alton Jones – “Traditional Fiddle Music of the Ozarks, vol. 3” (2000).
See also listing at: Jane Keefer’s Folk Music Index: An Index to Recorded Sources |
MILK SHAKE. French, Bourree (3/8 time). Central France. D Dorian (?). Standard
tuning. AABB. Stevens (Massif Central),
1988; No. 31.
MILK THE CHURN. AKA and see "Gliogar an
mheadair” (The Gurgling of the Churn).
MILKING OF THE EWES, THE. Scottish, Air. The song was mentioned in Allan
Ramsay's ballad opera The Gentle Shepherd
(1725).
MILKING PAIL, THE. English. Chappell (1859) says that, while the
air is sometimes claimed as Scottish, it is in fact of English origin.
MILKING SONG [1] (Im Bo). Irish, Air (6/4 time). D Major. Standard
tuning. One part. Darley & McCall note there must have been an old Gaelic
song to this air, whose title means 'Im', butter, and 'bo', a cow. Source for
notated version: fiddler Brian Mac Intyre (Virginia, Co. Cavan, Ireland)
[Darley & McCall]. Darley & McCall (The
Darley & McCall Collection of Traditional Irish Music), 1914; No. 19,
pg. 8.
MILKING SONG [2]. AKA and see "Till
an Crodh Faidh an Crodh." Scottish, Slow Air.
MILKING TIME IS OVER. Irish, Air (2/4 time). F Major. Standard tuning. AB. Source for notated
version: from the collection of J.E. Pigott, set by Forde [Stanford/Petrie].
Stanford/Petrie (Complete Collection),
1905; No. 298, pg. 74.
MILKMAID [1], THE. Irish?, Jig. C Major. Standard tuning. AB. Harding’s All-Round Collection, 1905;
No. 148, pg. 47.
X:1
T:Milkmaid, The [1]
M:6/8
L:1/8
R:Jig
S:Harding’s All Round Collection
(1905), No. 148
Z:AK/Fiddler’s Companion
K:C
g2e cBc | dBA GAB | c2d e2f | g2e
d2z | de^f g2B | c2d e3 | d2g ^fec | B2A G2z ||
f2e dec | B2G d2z | dBA G2d | e2g
e2z | d2a g2f | edc d2z | .e2.f .g2z | .A2.B .c2z ||
MILKMAID [2], THE. AKA and see "The Blackthorn Stick [5],"
"An Maide Draighin," "The
Maid at the Well," "The Black
Stripper," "The Kilkenny Jig,"
"The Castle Street Jig,"
"Arthur McBride [1]," "The Maids of Glenroe."
MILKMAID [3], THE. AKA and see "The Dairymaid [4]." Irish, Reel.
MILKMAID [4], THE. AKA and see “Mooney’s Reel,” “Tommy Peoples' (Reel) [2].”
Irish, Reel. G Major. Standard tuning. The reel is associated with Donegal
fiddler Tommy Peoples, who said he had the tune from one of his uncles. See
also the similar “Two Forty” in Ryans/Coles.
See also listings at: Alan Ng’s Irishtune.info |
MILKMAID [5], THE. Irish, Jig. G Major. Standard tuning. AABB. Source
for notated version: the Rice-Walsh manuscript, a collection of music from the
repertoire of Jeremiah Breen, a blind fiddler from North Kerry notated by his
student [O’Neill]. O’Neill (Waifs and
Strays of Gaelic Melody), 1922; No. 137.
X:1
T:Milkmaid (#137), The
M:6/8
L:1/8
R:Jig
S:Rice-Walsh manuscript
Z:Paul Kinder
K:G
D|GDD EDD|GAB c2 d|edc BcA|AGE E2 D|
GDD EDD|GAB c2 d|edc BcA|AGG G2:|
|:d|edd gdd|edB c2 d|edc BcA|AGE E2 d|
edd gdd|edB c2 d|edc BcA|AGG G2:||
MILK MAID [6], THE. English, Jig. D Major. Standard tuning. AABB. Aird (Selections of Scotch, English, Irish and Foreign Airs), vol. II, 1785; No. 130, pg. 48.
X:1
T:Milk Maid, The [6]
M:6/8
L:1/8
R:Jig
S:Aird, vol. II (1785)
Z:AK/Fiddler’s Companion
K:D
A | d2d
g2g f2f |
f2f edc | f^ga e2e | fef ^gfg | (a3 a2)f/g/ | afd def | ged cBA |
Bcd efg | fed cBA | afd def | ged cBA | Bcd Adc | d3 d2 :|
MILKMAID'S BOB, THE. AKA and see "Oaken Leaves [2]." English, Jig. D
Major. Standard tuning. One part. Published by Playford, The English Dancing Master (1651). Raven (English Country Dance Tunes), 1984; pg. 33 & 44.
MILKMAIDS
OF BLANTYRE, THE. Scottish, Reel. G Major. Standard
tuning. John Glen (1891) finds the earliest appearance of this tune in print in
Robert Bremner's 1757 collection.
Bremner (Scots Reels), 1757; pg. 2.
X:1
T:Milkmaids of Blantyre
M:C|
L:1/8
R:Reel
S:Bremner – Scots Reels (1757)
Z:AK/Fiddler’s Companion
K:G
B | G/G/G BG cGBG | AD D/D/D =FGAF | G/G/G BG cGBG | Agdg | BG G :: g |
dgBg
AA/A/ a2 | dgBg dgBg | (a/g/f/e/ g)B AA/A/a2 | egdg BG G :|
MILKY WAY [1], THE. Irish, Reel. D Major. Standard tuning. AABB. Composed by flute player Vincent Broderick, a member of the Kincora Ceili Band from 1952-1957.
X:1
T:The Milky Way
R:Reel
C:Vincent Broderick
S:John Skelton
D:John Skelton, One at a Time (PAN
146CD)
Z:Chris Corrigan,
M:4/4
L:1/8
K:D
|:D2 (3FED ADFA|d2 fd ef d2|D2 (3FED
ADFA|BE E2 BE E2|
D2 (3FED ADFA|d2 fd ef d2|dffd
efdB|AFEF d4:|
|:efdB AFEF|d2 fd ef d2|efdB AFEF|A2
FE AFAE|
efdB
AFEF|defd ef d2|dffd efdB|AFEF d4:|
MILKY WAY [2], THE. Irish, Hornpipe. G Major. Standard tuning. AABB. McGuire & Keegan (Irish Tunes by the 100, vol. 1), 1975; No. 80, pg. 21.
__________________________________
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