Elizabeth Brownrigg writes to all graduates of the Warren Wilson to let us know that she and Writing Program Director Peter Turchi will be on WUNC State of Things today at 12:40 pm (and will be rerun this evening at 9 pm and on Saturday upcoming at 6 am). Elizabeth and Peter will be talking about:
I have in my hand a book. Unable to type with it in my hand, I set it down. It is called “Required Poems” subtitle “For Reading and Memorizing” “Third and Fourth Grades.” It runs about 200 pages and the more recent poems are copyright in the late 1890s. The book itself shows no print date nor copyright. Among the poems are works by RL Stevenson, Kipling, Riley, Longfellow, Whittier and de la Mare. Along with such giants as Bliss Carman, Phoebe Cary, Lucy Larcom and Oliver Herford.
Just a quick quiz, who remembers the poem “I Remember, I Remember”? Who wrote it? (No fair Googling quite yet).
Seasonal poems, poems with birds in them and heavily cadenced poems like sections of Hiawatha are often “Required.”
A personal note: My grandmother, bless her soul, often terrorized me by reciting with great drama Riley’s “Little Orphant Annie.“ Each time she came to the nearly stuttered halting stanza ending lines: Er the Gobble-uns’ll git you
She would make a ghastly face and reach for me. My not yet luxuriant not yet flowing hair would stand on in. That is one poem lodged in my memory, tied to my deepest self by the barbed wires of fear.
Rereading Major Barbara and wondering how heroic and right Shaw thought Undershaft should be considered? Is Undershaft’s commitment to the previous Undershaft’s dreams and obligations a kind of trueness? And what of Cusins? Is his Greek a goodness or a dressing?
A friend asks for the “Auden poem with lines “We must love each other or die.” A line readers grew to love and a line that Auden grew to hate. First he changed “or” to “and” then he dropped the whole stanza. Then he dropped the poem from his Collected and completely disavowed it as untrue. Later after Auden’s death, the original poem, “September, 1939″ was restored. How good was Auden’s sense of his own poetry?
The Overall Winner will receive $10,000 (US)
The two category winners will receive $2,500 (US)
The entry deadline – Monday, January 15, 2007
The contest is open to any book published before the entry deadline that is based on a website (and meets all other eligibility criteria) – this includes blooks that are self-published as well as those published via traditional means.
One of my greatest pleasures in writing has come from the thought that perhaps my work might annoy someone of comfortably pretentious position. Then comes the saddening realization that such people rarely read.
-John Kenneth Galbraith, economist (1908-2006)
I’ve been reading goodliterarynovels up til lately. Now I’ve picked up the first two “Read Or Die” manga and Vernor Vinge‘s new “Rainbows End.” Any manga that has as its hero, a librarian with special powers over paper is fine by me. And Vinge’s new book, dedicated to Wikipedia, Google and eBay is described, in part, this way on the flap:
As Robert becomes more deeply involved in the conspiracy, he is shocked to learn if a radical change planned for the UCSD Geisel Library; all the books there, and worldwide, would cease to physically exist.
When you look back on a lifetime and think of what has been given to the world by your presence, your fugitive presence, inevitably you have to think of your art, whatever it may be, as the gift you have made to the world in acknowledgement of the gift you have been given, which is the life itself. And I think the world tends to forget that this is the ultimate significance of the body of work each artist produces. It is not an expression of the desire for praise or recognition, or prizes, but the deepest manifestation of your gratitude for the gift of life.
Issue Number 1 of Chapel Hill Magazine showed up in the mailbox uninvited but not unappreciated today.
I was immediately confused. The cover is not of Chapel Hill but of Carrboro (“Where it is always 1 degree cooler” says Ron Stutz who is profiled in the magazine). Those who have lived here and those who have only heard “It’s Carrboro” will identify the Weave and the hula hoopers right away.
Flipping to the cover article “15 Ways to Love Your Summer” or “A Summer Place: It’s hot, but it’s cool” — the article is not sure of its own title — the confusion continues. Of the 15 wonders, only 5 and a half are in Chapel Hill. The rest are in Carrboro and in Hillsborough. All of the special days are shared by those two towns — no special summer days are in Chapel Hill it seems.
No wonder people are confused about where they live if even the town magazine isn’t sure what is what. It is possible to have a Chapel Hill mailing address, have kids in Chapel Hill High School, and to live not in Chapel Hill or in Carrboro but in the planning area for Carrboro (meaning you will be annexed by Carrboro one day but for the moment you pay no Chapel Hill or Carrboro taxes).
The Magazine is published in Chapel Hill. Its offices are on Market St in Southern Village where Weaver Street Market, a Carrboro company, has an outpost which we call Market Street Weaver. When Carrboro High opens in 2007, the kids in Southern Village will go there. The Southern Village homeowners are paying Chapel Hill taxes. The tower for WCOM, Carrboro’s community radio station, is there not far from the Magazine’s offices. In fact, you get better reception in Southern Village than in parts of Carrboro. Market Street is just about as close to Carrboro Town Hall (3.4 mi or about 6 mins) as it is to Chapel Hill Town Hall (3.1 mi or about 6 mins) according to Google Maps.
Luckily for the Magazine, confusing Hillsborough is much more difficult.
“The story opens with a reckless fight between the New Warriors, filming a reality television show, and a cadre of villains in Stamford, Connecticut. The battle goes awry for the heroes, resulting in villain Nitro creating an explosion that takes out a local school, the surrounding neighborhood, and all but one of the New Warriors. This event crystallizes a government movement to register all super-powered beings as living weapons of mass destruction.”
The most interesting reappearance to me is that of the Watcher. The Globe and Mail reports that Dr. Strange will explain: “He [The Watcher] only appears to record moments of great change and enormous upheaval. His presence now does not bode well.”
What: How the Internet is Shaping Culture: What’s different about the arts in the online age? When: Wednesday, April 26, 6 p.m. Where: Carroll Hall 11 (in the “Garden” level) Who:
Meghan O’Rourke, Slate’s culture editor.
Bryan Curtis, who writes Slate’s “Middlebrow” column and is Slate’s deputy culture editor.
Seth Stevenson, who writes Slate’s “Ad Report Card.”
Tim Wu, who writes on culture and legal issues for Slate and is a law professor at Columbia University.
The rain won’t come yet, not for a while, but Michael can smell it and can see it, miles away, a ragged shadow suspended from a blue thunderhead mounding so high it looks as though it reaches heaven. He thinks of a picture he once saw of a man opening a little door in the sky and sticking his head through. Michael can’t remember what was on the other side of that door.
Just off the phone with Jon Kabira of J-WAVE‘s morning show in Tokyo about the Blooker, blogs and publishing. It was more than a bit odd to hear the Japanese translation and recap each time I paused. I should have learned from my experiences giving talks in Siberia and in Taiwan that very short answers with long pauses help the translator, but on the phone without physical cues that’s harder to pull off. I hope the listeners weren’t too distracted on their drives into work by my unusual, for them, accent.
There was a lot of fascination about the newness of the blook and of the Blooker. Listening I could hear how the very words, blook and Blooker, are difficult for non-English speakers even if they are extremely clear talking radio professionals.
There was enthusiasm for Julie and Julia and the story told there beyond the cooking and for the interactive nature of blogs and blooks. As near as I can tell, this part was of great interest.
I wish I could speak/understand Japanese; Jon was one of the better interviewers I’ve worked with (in part because of the good advance work by Kanae Hasegawa).