Mendele: Yiddish literature and language ______________________________________________________ Contents of Vol. 6.248 March 2, 1997 1) Yiddish and yiddishkayt (Benyomin Moss) 2) Yiddish and yiddishkayt (Mechl Asheri) 3) Yiddish and yiddishkayt (Elye Palevsky) 1)---------------------------------------------------- Date: Thu, 27 Feb 1997 22:53:36 -0800 (PST) From: kmoss@leland.stanford.edu Subject: Yiddish, Yiddish literature, and Yiddishkayt Recently, several of our esteemed Mendeleyners have treated us to an interesting if somewhat repetitive chorus of statements which make two essential claims: 1)that one cannot properly read and interpret modern Yiddish literature without a grounding in what they consider the normative tradition, and 2)that the truth of this claim is part and parcel of a larger truth, namely, that there is 'no Yiddish without Yidishkayt,' by which they mean, of course, their own brand of Yidishkayt. The first point is true in a wholly uninteresting fashion that does not, in any respect, lead conclusively to the second. Given that the classic Yiddish writers shaped their art within and against a tradition, it is trivially true that in order to understand and appreciate their art to the fullest, one must come to understand that tradition. But this hardly necessitates any embrace of that tradition as the traditionalists understand it: we don't need to subscribe to a belief system in order to understand Peretz or Manger any more than Peretz or Manger did. But surely, our traditionalists cry, you're twisting the issue. They mean, no doubt, that one must be immersed in the tradition, the 'spirit' of yidishkayt (as they define it) in order to truly understand Yiddish literature. It seems to me that they are entirely wrong. The great Yiddish writers, and indeed all great modern Jewish writers, created our literature out of the tension between the world they had known (or in some cases imagined, as in Peretz's hasidic tales) and their commitments to modernity and to the creation and strengthening of a new Jewish community and new Jewish identity. Our literature (and the most worthwhile of our modern institutions, from YIVO to the State of Israel) was born of the willingness of certain Jews to resist and decry the stultifying, rigid, dogmatic ideas of Jewish traditionalism even as they grappled with the possibilities and dangers of modern Jewish consciousness. While the traditionalists continued to piously intone "borukh shelo osoni isho," Peretz gave us "In Post-Vagon," which remains a searing portrait of the total marginalization of Jewish women in traditionalist Eastern Europe. And while the khakhomim vi-tsadikim denounced the heresy of self-emancipation, Abramovitsh translated Pinsker and Sholem Aleykhem committed himself to the Zionist ideal. Our literature was created to be read by people, veltlekhe and frum alike, who have dispensed with certainty and triumphalism, and who recognize the necessity and the joy of wrestling with Jewish traditoin and identity in the broadest sense, 'treyf-posul' included. But this does not speak to the larger issue, what is Yiddish without 'Yidishkayt'? For many of us on Mendele, I believe, Yiddish is a pleasure and a value for its own sake (and one of our members, whom I know and respect, ought perhaps to remember this before he dismisses the non-Jews who are interested in and in some cases committed to Yiddish as a living language). But I must agree with my esteemed opponents that Yiddish is ultimately valuable (to me) because of its connections to Yidishkayt. The question is, of course, which Yidishkayt? Though it hardly bears repeating, let me simply note that for many of us, Yiddish is worth learning and using because it cements our link as contemporary Jews to the fullness of Ashkenazi Jewish culture, even as it provides one means among many to sustain and strengthen our community today. And when I speak of fullness, I mean far more than many of our friends might: the life and work of Peretz, Sholem Aleykhem, or Y. Y. Singer, or for that matter Yudl Mark, Zelig Kalmanovitsh, or Ester Eliashev (not to mention Dubnov and Bialik) means as much to me as a Jew than that of the tannaim and amoraim. And I must say, it means far more far more to me than the thought and deeds of many of our modern tsadikim, who in some of their less shining moments during the past century have proven willing to strike deals with reactionary regimes (in Poland, Lithuania, Latvia) in order to seize control over the kehile, have suggested that Reform rabbis might well be regarded as sinners deserving of death, and have found it difficult to understand why one shouldn't attack and beat 'immodest' women in the streets of Jerusalem. There is no Yiddish without Yidishkayt? I would say rather, that there is neither a worthwhile Yiddish nor a modern Jewish culture of any value that does not involve uncertainty, risk, and open-mindedness. Everyone, frum and secular alike, can participate in the strengthening of Jewish life and of Yiddish, but if we are to make something of it, we must find ways to live as modern Jews, embedded in our history but not suffocated by myths of a pure, unitary, undiluted tradition. We must remain hungry for Jewish culture and experience, but undogmatic, skeptical of easy answers, and unwilling to turn our backs on the world. Lesof, zayt mir moykhl az kh'hob geshribn af English. Mayn Yiddish iz nokh altz shvakh, un ikh shtey baym soma onheyb ven ikh pruv tsu shraybn. Ikh hob gevolt shraybn af English, es zol klor oysgedrikt vern di gedankn. Ikh hof, az mayn onzog hot tsugegebt mer tsu unzer diskusiye-reshime, vi mayn English hot es gemakht krimer. Benyomin Moss 2)---------------------------------------------------- Date: Fri, 28 Feb 1997 09:42:26 +0200 From: donnom@netvision.net.il Subject: Yiddish or Jewish? I remember that as recently as forty years ago the language that Mendele is all about used to be called "Jewish" by English-speakers, Jews definitely included. The insistence that it be called Yiddish appears to have started when it became the subject of widespread academic interest. Thinking it over, what they speak in Berlin is not called Deutsch, but German; what they speak in Tokyo is not called Nihongo, but Japanese and -- why go on? The point is that even if it's out of fashion, there is much to be said for calling it Jewish when we're speaking or writing English if for no other reason than to remind us that it is, after all, a Jewish language. The same can be said for the retention of the Hebrew words in their original spelling and, in fact, for the use of Hebrew letters rather than Latin letters. As for Peter Slomanson's (6:245) Japanese who is "teaching Polish Yiddish to Israelis in Israel", I'd be interested in knowing his (or her) name, where he teaches and how many students he has. Bobemayses are one thing we've never lacked and I'd like to get the facts on that one. Mechl Asheri 3)---------------------------------------------------- Date: Fri, 28 Feb 1997 17:16:20 -0500 (EST) From: epalevsky1@aol.com Subject: Yidish un yidishkayt kol zman se zaynen tsvishn yidn nokh alts faran soyney yidish shat gor nit vos mir hobn oykh gute fraynt tsvishn nit- yidn. al keyn iz dokh peter gerekht. iz dokh ober yidish on yidishkayt vi a yovn in suke , heyst es az meylekh iz oykh gerekht. yidishkayt meynt nit lav davke frumkayt, nor a banemung funem gantsn yidishn m'hus un a shteyger lebn vos tsit b'kivn khayune fun yidishe kvaln, shaft k'seyder naye yidishe iberlebungen un git zey iber naye yidishe doyres, tsi geboyrene tsi verbirte. elye palevsky ______________________________________________________ End of Mendele Vol. 6.248