Lucier, Alvin - history and theory texts Bedford, Frances, and Robert Conant. Twentieth Century Harpsichord Music. Hackensack, N.J.: Joseph Boonin, Inc., 1974. Cage, John. Notations. New York: Something Else Press, 1969. Emmerson, Simon, ed. The Language of Electroacoustic Music. New York: Harwood Academic Publishers, 1986. Ernst, David. The Evolution of Electronic Music. New York: Schirmer Books, 1977. Griffin, Donald R. Echoes of Bats and Men. Garden City, New York Anchor Books, 1959. Griffin, Donald R. Listening in the Dark: The Acoustic Orientation of Bats and Men. New Haven, Connecticut: Yale University Press, 1958. Griffiths, Paul. A Guide to Electronic Music. London: Thames and Hudson, 1979. Jenny, Hans. Cymatics: The Structure and Dynamics of Waves and Vibrations. Basel: Basilius Presse, 1967. Kock, Winston E. Sound Waves and Light Waves. Garden City, New York: Anchor Books, 1965. Lucier, Alvin and Douglas Simon. Chambers. Middletown, Connecticut: Wesleyan University Press, 1980. Manning, Peter. Electronic and Computer Music. Oxford: Clarendon Press, 1985. Nyman, Michael. Experimental Music: Cage and Beyond. New York: Schirmer Books, 1974. Pellegrino, Ronald. The Electronic Arts of Sound and Light. New York: Van Nostrond Reinhold Company, 1983. Strange, Alan. Electronic Music: Systems, Techniques, and Controls. Duqubue, Iowa: W.C. Brown Company Publishers, 1972. Schwartz, Elliott. Electronic Music: A Listener's Guide. New York: Praeger Publishers, 1973. van Bergeijk, Willem A., Pierce, John R., and David, Edward E., Jr. Waves and the Ear. Garden City, New York: Anchor, 1960. Zimmerman, Walter. Desert Plants: Conversations with 23 American Musicians. Vancouver: A.R.C. Publishers, 1976. 4/90