Classical music - books Antokoletz, Elliott. Twentieth-Century Music. Englewood Cliffs, NJ: Prentice-Hall, 1992. Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York: W.W. Norton, 1966. Bauer, Marion. Twentieth Century Music. 3rd ed. NY: G. P. Putnam's Sons, l947. Boretz, Benjamin and Edward T. Cone. Perspectives on American Composers. New York: W.W. Norton & Co., 1971. Borroff, Edith. Three American Composers. (Irwin Fischer, Ross Lee Finney, George Crumb). Latham, MD: University Press of America, 1986. Burbank, Richard. Twentieth-Century Music. NY: Facts on File, l984. Cohn, Arthur. 20th-century Music in the Western Hemisphere. Phil. & NY: Lippincott, 1961. Collaer, Paul. A History of Modern Music. New York: Grosset and Dunlap, 1961. Cooper, Martin, ed. The Modern Age, 1890-1980. X. The New Oxford History of Music. London: Oxford University Press, 1974. Cope, David H. New Directions in Music. 5th ed, Dubuque: W.C. Brown, 1989. (4th ed, 1981.) Copland, Aaron. The new music, 1900-1960. Rev. and enl. ed. New York: W. W. Norton, 1968. Copland, Aaron. What to listen for in music. New York, London, Whittlesey: McGraw-Hill, 1939. [Rev. ed.] New York: McGraw-Hill, 1957. Copland, Aaron. Our new music; leading composers in Europe and America. New York, London: Whittlesey house, McGraw-Hill book company, inc., 1941. Copland, Aaron. Copland on Music. [1st ed.] Garden City, N.Y.: Doubleday, 1960. Copland, Aaron. Music and imagination. Cambridge: Harvard University Press, 1952. Cowell, Henry. American Composers on American Music: A Symposium. Stanford, CA: Stanford University Press, 1933. reprint- New York: Frederick Unger, 1962. Davies, Laurence. Paths to Modern Music. New York: Charles Scribner's Sons, 1971. Demuth, Norman. Musical Trends in the Twentieth-Century. London: Rockliff, 1952. Deri, Otto. Exploring Twentieth-Century Music. New York: Holt, Rinehart and Winston, 1968. Dizikes, John. Opera in America - A Cultural History. New Haven CT: Yale University Press, 1993. Downes, Olin, and Downes, Irene. Olin Downes on Music. New York: Simon and Schuster, 1957. Eling, Robert Michael (ed.). A Basic Music Library: Essential Scores and Books. 2nd ed. Chicago: American Library Association, 1983. Ewen, David. Twentieth Century Composers. New York: Thomas Y. Crowell Co., 1937. Ewen, David. Composers of Tomorrow's Music. New York: Dodd, Mead and Co., 1971. Ewen, David. The Complete Book of 20th Century Music. New York: Prentice-Hall, Inc., 1952; 2nd ed., 1959. Ewen, David, ed. The New Book of American Composers. 3rd ed. New York: Alfred A. Knopf, 1961. Ewen, David. The New Book of Modern Composers. 3rd ed. New York: Alfred A. Knopf, Inc., 1961. Fling, Robert Michael. A Basic Music Library: Essential Scores and Books. 2nd ed. Chicago: American Library, 1983. Gagne, Cole and Tracy Caras. Soundpieces: Interviews with American Composers. Metuchen, N.J.: Scarecrow Press, 1982. Gleason, Harold and Warren Becker. 20th-century American Composers, Music Literature Outlines. ser. iv., 2nd ed. Bloomington, IN: Frangipani Press, 1980. Gross, Madeleine. Modern Music Makers. New York: E.P. Dutton & Co., Inc., 1952. Hall, Charles, ed. A Twentieth Century Music Chronicle: Events 1900-1988. NY: Greenwood Press, 1989. Hansen, Peter. An Introduction to Twentieth Century Music. New York: Allyn and Bacon, 1961, 2nd ed., 1967, 4th ed., 1978. Holmes, John L. Composers on Composers. New York: Greenwood Press, 1990. Howard, John Tasker. Our Contemporary Composers: American Music in the Twentieth Century. New York: Thomas Y. Crowell, 1942. Hughes, Rupert. American Composers: A Study of the Music... Boston: Page Co., 1914. Machlis, Joseph. Introduction to Contemporary Music. 2nd ed. New York: W.W. Norton, 1961, 2nd. ed., 1979. Martin, William R. and Julius Drossin. Music of the Twentieth Century. Englewood Cliffs, NJ: Prentice-Hall, 1980. McClary, Susan. De-tonations: narrative and significance in "Absolute" music. Hanover, NH: University Press of New England, spring 1995. Mead, Rita. Henry Cowell's New Music 1925-1936: the Society, the Music Editions, and the Recordings. (revision of 1978 thesis, CUNY) Ann Arbor: UMI Press, 1981. Mellers, Wilfred. Romanticism and the Twentieth Century. Fairlawn, NJ: Essential Books, 1957. Mertens, Wim. (trans. J. Hautekiet). American Minimal Music: La Monte Young, Terry Riley, Steve Reich, Philip Glass. New York: Alexander Broude, 1983. Meyer, Leonard B. Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture. Chicago: University of Chicago Press, 1969. Mitchell, Donald. The Language of Modern Music. New York: St. Martin'sYork: Press, 1970.Oxford University Press, 1978. Moore, Douglas. A Guide to Musical Styles. N: WW Norton and Co., 1985. Morgan, Robert. Twentieth Century Music. New York: W.W. Norton, 1990. Morgenstern, Sam, ed. Composers on Music: An Anthology of Composers' Writings from Palestrina to Copland. New York: Pantheon, 1956. Myers, Rollo. Music in the Modern World. London: Arnold, 1948. New Oxford History of Music: The Modern Age 1890-1960. ed. Martin Cooper. London: Oxford University Press, 1974. Nicholls, David. American Experimental Music 1890-1940. New York: Cambridge University Press, 1990. Nyman, Michael. Experimental Music: Cage and Beyond. New York: Schirmer Books, 1974. Peyser, Joan. The New Music. New York: Dell, 1971. Pleasants, Henry. The Agony of Modern Music. New York: Simon and Schuster, Inc., 1955. Pollack, Howard. Harvard Composers - Walter Piston and His Students from Elliott Carter to Frederic Rzewski. Metuchen NJ: Scarecrow Press, 1992. Reis, Claire R. Composers Conductors and Critics. New York: Alfred A. Knopf, 1968. Reis, Claire. Composers in America: Biographical Sketches of Living Composers, with a Record of Their Works 1912-1937. New York: The Macmillan Company, 1938, 1947. Rockwell, John. All American Music. New York: Vintage Books, 1983. Rosenberg, D. and B. Rosenberg. The Music Makers. New York, 1979. Rosenfeld, Paul. Discoveries of a Music Critic. New York: Harcourt, Brace and Co., 1936. Rosenfeld, Paul. An Hour with American Music. Philadelphia: J. B. Lippincott & Co., 1929. Rosenfeld, Paul. Musical Impressions. ed. Herbert A. Leibowitz. New York: Hill & Wang, 1969. Rossi, Nick and Robert Choate, eds. Music in Our Time. Boston: Crescendo Publishing Company, 1969. Salazar, Adolfo. Music in Our Time. New York: W.W. Norton, 1946. Salzman, Eric. Twentieth Century Music: An Introduction. 3rd ed. Englewood Cliffs, NJ: Prentice Hall, Inc., 1988. Schaefer, John. New Sounds: A Listener's Guide to New Music. Schauffler, Robert Haven and Sigmund Spaeth. Music as a Social Force in America and the Science of Practice. New York: The Caxton Institute, 1972. Scholes, Percy Alfred. The Oxford Companion to Music. 10th ed. by John Owen Ward. New York: Oxford University Press, 1970. Schwartz, Elliott and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York: Holt, Rinehart, Winston, 1967. Schwartz, Elliott and Daniel Godfrey. Music Since 1945. New York: Schirmer Books, 1993. Sessions, Roger. Reflections on the Music Life in the United States. New York: Merlin Press, 1956. Siegmeister, Elie, ed. The New Music Lover's Handbook. Irvington-on-Hudson, NY: Harvey House, Inc., 1973. Simms, Bryan. Music of the 20th Century. New York: Schirmer Books, 1986. Stone, Kurt. Music Notation in the Twentieth-Century. NY: WW Norton and Co., 1983. Strickland, Edward. American Composers: Dialogues on Contemporary Music. Bloomington: Indiana University Press, 1991. Stuckenschmidt, H. Twentieth Century Music. New York: McGraw-Hill, 1976. Tawa, Nicholas E. Mainstream Music of Early Twentieth Century America. Westport CT: Greenwood Press, 1992. Tawa, Nicholas E. A most wondrous babble: American art composers, their music, and the American scene, 1950-1985. Westport, Conn.: Greenwood Press, 1987. The Music Masters Vol. 4: The Twentieth Century. ed. A. L. Bacharach. Baltimore: Pelican Books, 1957. Thompson, Randall. College Music. New York: MacMillan Company, 1935. Thomson, Virgil. Music Right and Left. New York, 1951. Thomson, Virgil. Music with Words - A Composer's View. New Haven CT: Yale University Press, 1989. Thomson, Virgil. American Music Since 1910. New York: Holt, Rinehart, and Winston, 1971. Thomson, Virgil. The Art of Judging Music. New York, 1948. Thomson, Virgil. Music Reviewed: 1940-1954. New York: Vintage Books, 1967. Thomson, Virgil. Virgil Thomson. New York, 1966. Thomson, Virgil. A Virgil Thomson Reader. Boston: Houghton Mifflin Co., 1981. Thomson, Virgil. The Musical Scene. New York, 1945. Ulrich, Homer, and Paul A. Pisk. A History of Music and Musical Style. New York: Harcourt Brace Jovanovich, Inc., 1963. Whittall, Arnold. Music Since the First World War. London: J.M. Dent & Sons, Ltd., 1977. Wilder, Robert D. Twentieth-Century Music. Dubuque: W.C. Brown. 1969. Yates, Peter. Twentieth Century Music: Its Evolution from the End of the Harmonic Era into the Present Era of Sound. New York: Pantheon Books, 1967. Zalkind, Ronald. Contemporary Music Almanac 1980/81. New York: Schirmer Books, 1980. Zimmerman, Walter. Desert Plants: Conversations with 23 American Musicians. Vancouver: A.R.C. Pubs., 1976. 4/94