Electroacoustic music - books

Adams, Robert Train. Electronic Music Composition for Beginners. Dubuque,
IA: Brown, 1986.

Advanced Digital Audio. Ken Pohlmann, ed. Carmel, IN: H. W. Sams, 1991.

Anderton, Craig. MIDI for Musicians. New York: Amsco Publ., 1986.

Appleton, Jon H. and Ronald C. Perera. The Development and Practice of
Electronic Music. Englewood Cliffs: Prentice-Hall, Inc., 1975.

The Art of Electronic Music. comp. by Tom Darter (from Keyboard mag, 1975-
83) New York: Quill, 1984.

Babbitt, Milton. Stephen Dembski and Joseph N. Straus, eds. Words About
Music. Madison: University of Wisconson Press, 1987.

Backus, John. The Acoustical Foundations of Music. New York: W. W.
Norton, 1969. 2nd ed., 1977.

Bateman, Wayne. Introduction to Computer Music. New York: John Wiley and
Sons, 1980.

Bates, John. The Synthesizer. Oxford, UK: Oxford University Press, 1988.

Battier, Marc and Barry Truax, eds. Computer Music, Composition Musicale
par Ordinateur, Report on an International Project Including a Workshop at
Aarhus, Denmark in 1978. Ottawa: Canadian Commission for UNESCO, 1978.

Beauchamp, James and Heinz von Foerster, eds. Music by Computers. New
York: John Wiley and Sons, 1969.

Beckwith, John and Udo Kasemets. The Modern Composer and His World.
Toronto: University of Toronto Press, 1961.

Bolinger, Dwight. Aspects of Language. New York: Harcourt, Brace and
World, 1968.

Boom, Michael. Music Through MIDI. Redmond, WA: Microsoft Press, 1987.

Buxton, William, ed. Computer Music 1976/77: A Directory to Current Work.
Ottawa: The Canadian Commission for UNESCO, 1977.

The Byte Book of Computer Music. Christopher P. Morgan, ed. Peterborough,
NH: Byte Books, 1979.

Chamberlin, Hal. Musical Applications of Micro Processors. New Jersey:
Hayden Book Company, 1980.

Chowning, John, and D. Bristow. FM Theory and Applications by Musicians for
Musicians. Tokyo: Yamaha Music Foundation, 1986.

Clough, Rosa Trillo. Futrurism. New York: Philosophical Library, 1961.
Composers and the Computer. Curtis Roads, ed. Los Altos, CA: W. Kaufmann,
1985.

Conger, Jim. C Programming for MIDI. Redwood City, CA: M&T Books, 1989.

Conger, Jim. MIDI Sequencing in C. Redwood City, CA: M&T Books, 1989.

Cope, David. Computers and Musical Style. Madison, WI: A-R Editions, 1991.

Cope, David. New Directions in Music. 5th ed. Dubuque: William C. Brown
Company Publishers, 1991.

Cope, David. New Music Composition. New York: Schirmer Books, 1977.

Crigger, David. The MIDI Drummer. Newbury Park, CA: Alexander Pub., 1987.

Crombie, David. The Synthesizer and Electronic Keyboard Handbook. New York:
Knopf, 1984.

Current Directions in Computer Music Research. ed. Max Matthews and John
Pierce. Cambridge, MA: MIT Press.

Darter, Tom. Greg Armbruster, ed. The Art of Electronic Music. New York:
Quill, 1984.

Defuria, Steve and Joe Scacciaferro. The MIDI Programmr's Handbook. Redwood
City, CA: M&T Pub., 1989.

Defuria, Steve and Joe Scacciaferro. The MIDI Implementation Book. Redwood
City, CA: M&T Pub., 1986.

Defuria, Steve and Joe Scacciaferro. The MIDI Resource Book. Redwood City,
CA: M&T Pub., 1989.

Defuria, Steve and Joe Scacciaferro. The MIDI System Exclusice Book. NJ:
Hal Leonard Pub., 1987.

Defuria, Steve and Joe Scacciaferro. MIDI Programming for the Macintosh.
Redwood City, CA: M&T Pub., 1988.

Dennis, Brian. Experimental Music in Schools. London: Oxford University
Press, 1970.

Deutsch, Herbert A. Synthesis: An Introduction to the History, Theory, and
Practice of Electronic Music. New York: Alfred Publishing Company, Inc.,
1976.

Dodge, Charles and Thomas A. Jerse. Computer Music: synthesis, compsition
and performance. New York: Schirmer Books, 1985.

Douglas, Alan. Electronic Music Production. Blue Ridge Summitt, PA: Tab
Books, 1982.

Eargle, John M. Music, Sound and Technology. New York: Van Nostrand, 1990.
Eaton, M. L. Electronic Music: A Handbook of Sound Synthesis and Control.
Kansas City, MO.: Orcus Publications, 1969.
Electronic Music Technology. Washington, DC: McGraw-Hill Continuing
Education Center, 1988.

Emmerson, Simon, ed. The Language of Electroacoustic Music. New York:
Harwood Academic Publishers, 1986.

Ernst, David. The Evolution of Electronic Music. New York: Schirmer
Books, 1977.

Ernst, David. Musique Concrete. Boston: Crescendo, 1972.

Ewen, David. Composers of Tommorrow's Music. New York: Dodd, Mead and
Company, 1971.

Friedman, Dean. Synthesizer Basics. New York: Amsco Pub., 1986.

Griffiths, Paul.  A Guide to Electronic Music.  New York: Thames and
Hudson, 1979.

Heifetz, Robin Julian, ed. On the Wires of Our Nerves: the Art of
Electroacoustic Music. Lewisburg: Bucknell University Press, 1989.

Heilinheimo, Seppo. The Electronic Music Of Karlheinz Stockhausen.
Translated by Brad Absetz. Helsinki: Acta Musicologia Fennica, 1972.

Henry, Thomas. Build a Better Music Synthesizer. Blue Ridge Summit, PA: TAB
Books, 1987.

Hiller, Lejaren and Leonard M. Issacson. Experimental Music. New York:
McGraw-Hill. 1959.

Hines, Robert Stephan, ed. Essays on Twentieth-Century Music by Those Who
Wrote It. Norman: University of Oklahoma Press, 1970.

Horn, Delton T. Electronic Music Synthesizers. Blue Ridge Summitt, PA: Tab
Books, 1980.

Howe, Hubert. Electronic Music Synthesis. NY: WW Norton and Co., 1975.

Huber, David Miles. The MIDI Manual. Carmel, IN: Howard W. Sams, 1991.

Huber, David Miles and R. A. Runstein. Modern Recording Techniques. 3rd ed.
Carmel, IN: H. W. Sams.

Judd, Frederick C. Electronic Music and Musique Concrete. England:
Neville Spearman, 1961.

Judd, Frederick C. Electronics in Music. England: Neville Spearman, 1972.

Kaegi, Werner. Was ist electronische Musik? Basel: Orell Fssli, 1967.

Keane, David. Tape Music Composition. New York: Oxford University Press,
1981.

Kettlekamp, Larry. Electronic Musical Instruments. New York: W. Morrow,
1984.

Kirby, Micheal. Futurist Performance. New York: E. P. Dutton, 1974.

Klein, Barry. Electronic Music Circuits. Indianapolis, IN: H.W. Sams, 1982.

The Language of Electroacoustic Music. Simon Emmerson, ed. MacMillan Press,
1986.
 
Laske, Otto. Understanding Music with AI. Cambridge, MA: MIT Press, 1992.

Lincoln, Harry B, ed. The Computer and Music. New York: Cornell
University Press, 1970.

Luening, Otto. The Odyssey of an American Composer: The Autobiography of
Otto Luening. New York: Charles Scribner's Sons, 1980.

Machine Models of Music from Minsky to Mozart. ed. by Stephan Schwanauer
and David Levitt. Cambridge, MA: MIT Press, 1993.

MacKay, Andy. Electronic Music. Minneapolis, MN: Control Data Publ., 1981.

Manning, Peter. Electronic and Computer Music. Oxford: Clarendon Press,
1985, 1988.

Massey, Howard. The MIDI Home Studio. New York: Amsco Publ., 1988.

Massey, Howard. A Synthesist's Guide to Acoustic Instruments. New York:
Amsco Publ., 1987.

Melby, Carol. Computer Music Compositions of the United States 1976.
Virginia: Theodore Front, 1976.

Mind over MIDI. Dominic Milano, ed. (Keyboard magazine reprints).
Milwaukee. WI: Hal Leonard Books, 1987,

Moore, F. Richard. Elements of Computer Music. Englewood Cliffs, NJ:
Prentice-Hall. 1990.

Morrill, Dexter and Rick Taube. A Little Book of Computer Music
Instruments.

Multi-Track Recording. ed. by Dominic Milano from Keyboard Mag. Milwaukee,
WI: Hal Leonard Books, 1988.

Music and Connectionism. ed. by Peter M. Todd and D. Gareth Loy. Cambridge,
MA: MIT Press, 1993.

The Music Machine: selected readings from the Computer Music Journal. ed.
Curtis Roads. Cambridge, MA: MIT Press, 1989.

Music, Mind and Machine. ed. by Peter Desain and Henkjan Honing. Amsterdam,
the Netherlands: Thesis Publishers, 1992.
Nyman, Michael. Experimental Music: Cage and Beyond. London: Schirmer
and Sons, 1981.

Olson, Harry F. Music, Physics and Engineering. New York: Dover Press,
1967.

Pellegrino, Ronald. The Electronic Arts of Sound and Light. New York: Van
Nostrand Reinhold Company, 1983.

Pressing, Jeff. Synthesizer Performance and Real-Time Techniques. Madison,
WI: A-R Editions, 1992.

Pohlmann, Ken C. Principles of Digital Audio.     ndinapolis IN: H. W.
Sams, 1989.

Quinzi, Steve. Synthesizer Orchestration. Miama, FL: Studio 224, 1987.

Representations of Musical Signals. ed. by Giovanni De Poli, Aldo
Piccialla, and Curtis Roads. Cambridge, MA: MIT Press, 1991.

Roads, Curtis. A Computer Music History: musical automation from Antiquity
to the Computer Age.

Roads, Curtis and John Strawn, eds. Foundations of Computer Music.
Cambridge: M.I.T. Press, 1985.

Rothstein, Joseph. MIDI: a comprehensive introduction. Madison, WI: A-R
Editions, 1992.

Rona, Jeff. MIDI, the Ins, Outs, and Thrus. Milwaukee, WI: Hal Leonard,
1987.

Rowe, Robert. Interactive Music Systems: machine listening and composing.
Cambridge, MA: MIT Press, 1992.

Rumsey, Francis. MIDI Systems and Control. Boston: Focal Press, 1990.

Russcol, Herbert. The Liberation of sound: An Introduction to Electronic
Music. Englewood Cliffs: Prentice-Hall, Inc., 1972. New York: Da Capo
Press, 1994.

Russolo, Luigi. The Art of Noise. Translated by Robert Filliou. New York:
Something Else Press, 1967.

Sanchez, Rey. MIDI Guitar: a complete applications directory. Miami, FL:
CPP/Belwin, 1988.

Schaeffer, Pierre. Traite des objets musicaux. Paris: Editions du Seuil,
1966.

Schaeffer, Pierre. Musique Concrete. Paris: Presses Universitaires de
France, 1967.
Schafer, R. Murray. Ear Cleaning. Toronto: BMI Canada, 1967.
Schafer, R. Murray. The Tuning of the World. Philidelphia: University of
Pennsylvania Press, 1980.

Schrader, Barry. Introduction to Electro-Acoustic Music. Englewood
Cliffs: Prentice-Hall, 1982.

Schwartz, Elliot. Electronic Music: A Listeners Guide. New York: Praeger
Publishers, 1975. New York: Da Capo Press, 1989.

Sear, Walter. A Guide to Electronic Music and Synthesizers. London:
Omnibus, 1977.

Strange, Allen. Electronic Music. Dubuque: William C. Brown, 1972. 3rd ed.,
1983.

Synthesizers and Computers. Brent Hurtig, ed. (from Keyboard mag.)
Milwaukee, WI: Hal Leonard, 1985, rev. ed., 1987.

Synthesizer Basics. Brent Hurtig, ed. (from Keyboard mag.) Milwaukee, WI:
Hal Leonard, 1984, rev. ed., 1988.

Synthesizer Programming. ed. by Dominic Milano. (from Keyboard magazine)
Milwaukee, WI: Hal Leonard, 1984, rev. ed., 1987.

Synthesizer Techniques. by the editors of Keyboard mag. Milwaukee, WI: Hal
Leonard, 1984, rev. ed., 1987.

Trythall, Gilbert. Principles and Practice of Electronic Music. New York:
Grosset and Dunlap, 1973.

Ward, Bob and Marty Cutler. MIDI for Guitarists. New York: Amsco Publ.,
1986.

The Well-Tempered Object. comp. and ed. from the Computer Music Journal by
Stephen Travis Pope. Cambridge, MA: MIT Press, 1991.

Wells, Thomas H. The Technique of Electronic Music. New York: Schirmer,
1981.

Wilkinson, Scott R. Tuning In: Microtonality in Electronic Music.
Milwaukee, WI: Hal Leonard Books, 1988.

Winsor, Phil and Gene DeLisa. Computer Music in C. Blue Ridge Summitt, PA:
TAB Books, 1991.

Woram, John. Sound Recording Handbook. Carmel, IN: H. W. Sams.

Xenakis, Iannis. Formalized Music. Bloomington: Indiana University Press,
1971.

Youngblood, Paul. MIDI Guitar and Synthesis. Milwaukee, WI: Hal Leonard,
1989.

Young, Gayle. The Sackbut Blues: Hugh LeCaine, Pioneer in Electronic
Music. Ottawa: D. W. Friesen and Sons Ltd., 1989.

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