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SriRangaSri List Archive: Message 00116 Feb 2005

 
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            Sri VenkatEsa SuprabhAtham 


The Sri VenkatEsa SuprabhAtham composed by Sri PrathivAdhi Bhayankaram 
ANNA is a splendid Sri Sookthi that is recited every morning in front 
of the 
Sayana Mantapam at Thirumalai. This was composed by Sri ANNA at the 
request of his AchAryan , Sri MaNavALa MaamunigaL . The divine 
inspiration for ANNaganrAryA came from ThoNDardippoDi AzhwAr's 
ThirupaLLyezucchi Paasurams and some of GodhA Piratti's ThiruppAvai 
Paasurams 

There are 29 slOkams in this SuprabhAtham composed by ANNangarAryA for 
ThiruvEnkata- mudayAn . AdiyEN would give the general meaning for the 
individual slOkams and add brief comments on them .May Lord SrinivAsan 
bless this Kaimkaryam 


In the first slOkam , the Lord of ThiruvEnkatam is awakened as Sri 
Raama - chandran ( KousalyA Suprajai) and in the second slOkam as 
Govindhan; 
The third and the fourth slOkams awaken Sri MahA Lakshmi. From the 
fifth 
slOkam onwards ThriuvEnkatamudayAn is awakened 

In the fifth and the sixth slOkams , the arrival of sages like Adhri 
and Gods 
like Paramasivan to participate in the SuprabhAtha darsanam of the 
Lord of 
seven hills is described. 
  
The seventh focuses on the fragrant , morning breeze and the eighth 
covers the parrots in house cages bestirring themselves 


The tenth slokam talks about Sage Naaradha playing deva ghAnam in 
praise of the Lord. The tenth verse describes the bees emerging from 
their flower beds to be of service to the Lord. 
  

The eleventh verse takes us to morning activities in the house of 
cowherds , where churning for the curds is taking place. 
  
The twelfth slOkam reverts to the bustle of the bees competing with 
the blue lotuses to settle the issue of who has a better blue hue. 
  
The thirteenth slOkam is a naamAvaLi of the great Lord of 
ThiruvEnkatam. 
  
The fourteenth slOkam describes the devAs and demi-gods waiting 
eagerly to enter the ardhamantapam to join in the suprabhAtham 
function.

The fifteenth slOkam lists the seven hills associated with the Lord. 
The sixteenth talks about the different Lords of directions 
(Dhig PaalakAs) jostling to get into the temple.

The seventeenth slOkam is about nithyasooris like Garudan, 
AdhisEshan waiting to perform Kaimkaryam for their Lord. 
  
The eighteenth slOkam focuses on the nava grahams waiting for the 
darsanam of the Lord. 
  
The ninteenth slOkam refers to the navagrahams looking for 
oportunities to perform Bhaagavatha Kaimkaryam as a way to 
gain the approbation of their Lord. 
  
The twentieth slOkam recalls the power of Gopura darsanam 
at Thiruppathi. 
  
The tweny first to the twenty third slOkams are beautiful naamAnjalis 
to the Lord to cajole Him to awaken and bless the world . 
  
The twenty fourth slOkam is a celebration of ThiruvenkatamudayAn 
as dasAvatharan . 
  
The twenty fifth slOkam deals with the kaimkaryaparALs 
engaged in carrying the Thirumanjana theertham. 
  
The twenty sixth slOkam covers the scene of Sri VaishNavAs 
waiting to perform mangaLAsAsanam for the Lord. 
  
The twenty eighth slOkam describes the Gods and the great Yogis 
(Sanaka-SanathkumArALs)waiting in the forecourt with auspicious 
objects needed for the suprabhAtham in their hands.

The twenty eighth slOkam is a beautiful assembly of the NaamAs 
of the Lord invoking Him to awaken and bless the world. 
  
The twenty ninth verse is the Phala sruthi slOkam listing the benefits 
of reciting this auspicious SuprabhAtham of Lord venkatEsA . 








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