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Srimate SrivanSatakopa Sri Vedanta Desika Yatindra Mahadesikaya nama:

 

                      Her Secret Love
 

         The Lord tells us in the Gita that it is He who forms the profound 
purport of the Shruti and that it is He who is to be found in every syllable, 
word and sentence of the glorious VEdAs-"VEdaischa sarvam ahamEva vEdya:". 
Tiruppavai is acclaimed to be the very seed of the Vedas-"VEdam anaittukum 
vitthu". Hence it follows that Sri Andal's outpouring too has for its content 
only the Paramapurusha. It is a garland of thirty eternal and evergreen verses 
strung together with boundless affection by a passionate devotee. 

 

         Sri Andal might speak of several avatArAs of the Lord in 
Tiruppavai-She talks about the "Ongi ulagaLanda Uttaman" (Trivikraman), 
"ManatthukkiniyAn" (Sri Rama), "NandagOpan

Kumaran" (Sri Krishna). It would appear, from a superficial study, that the 
Hero of the Prabandam is indeed KaNNa PirAn, the darling of YasOda, the apple 
of NandagOpA's eye, the heartthrob of all the girls of Gokulam and the 
undisputed leader of all its urchins. It would also appear that every alternate 
line of these pAsurams bears a mention of Sri Krishna, attesting to their 
mission of eulogising Him. Tiruppavai would thus seem to be an elaboration of 
the obsession with Krishna that characterised Sri Nammazhwar's existence, to 
the exclusion of all else-"uNNum sOru, parugum neer, tinnum vettrilai yAvum 
KaNNan Emperuman".  

 

        However, if we go in for a deeper and discerning analysis, we would 
find that Sri Andal's real intent is to adulate not Sri Krishna alone, but, in 
the guise of that, to direct Her praise to yet another entity. Her words might 
appear on the surface to eulogise the son of YasOda, but the spirit behind 
those words indicates quite a different person. While She might hold the 
garland in Her hand and stare at Sri Krishna, Her real intent appears to be to 
adorn someone else's neck with it. Who could that be, who is exalted enough to 
steal Sri Andal's affections, while Sri Krishna looks on in disappointment?  

 

       Poets normally give an indication of what lies in their mind, in the 
very beginning of their composition as well as in the final verse, providing a 
clue to what undercurrent of emotion runs through the entire work. Thus 
"upakramam" (the beginning) and "upasamhAram" (the conclusion) provide a 
definite indication as to what the work is all about.  Adopting this rule, we 
find a leonine motif dominating the broad canvass of Tiruppavai. We may 
therefore safely conclude that the secret lover Sri Andal had enshrined in Her 
heart was Sri Nrisimha and none else. To those supporters of Sri Krishna who 
rise up in arms against this statement, my request is to read on and find for 
themselves the irrefutable evidence in favour of Andal's infatuation with 
Nrisimha mUrthy.

 

        In the very first pasuram, Kodai Naachiar speaks about the glorious 
lion-"iLam singam". To the superficial reader, this may appear to be a 
reference to the irrepressible lion cub that the young KaNNan was. However, if 
we care to look beyond the obvious, we find that it is indeed an allusion to 
Sri Nrisimha, who alone is the undisputed owner of the brand name, "Simham". 
There might be any number of contenders to the throne of "Simham" like the 
RAghava Simha and the YasOdai's Simham-but the genuine article, the original 
and magnificent lion, is only our Nrisimha. If anything, the words "iLam 
singam" would emphasise the immaturity of the toddler Krishna, when compared to 
the splendorous, mature and majestic Lion that Sri Nrisimha was.       The 
further reference to "SenkaN", a reddish eye, would suit Sri Nrisimha to a T, 
as His eyes were veritable orbs of fire, blazing with rage at Hiranyakasipu.

 

"Kadir madiyam pOl mugatthAn" is also very much an allusion to Sri Nrisimha, 
whose one eye, directed at Hiranya, resembled the scorching Sun, while the 
other, looking with love at Sri Prahlada, was cool as the Moon.  And the word 
"Narayanan" in this pasuram must indeed refer only to Sri Nrisimha, for it was 
He who resided as antaryAmi in all beings and objects, ready to spring out of 
whichever place or being Hiranyakasipu smote with his mace. Thus Sri Nrisimha 
fits the definition of the Narayana Sabdam ("NArA: yasya ayanam, sa 
Narayana:"), as all sentient beings and non-sentient objects had Him inside 
them-"TrailOkyam Etat akhilam Narasimha garbham". 

 

The "Ongi ulagaLanda Uttaman" too is Sri Nrisimha only, for during this 
unprecedented avatAram, the Lord's tirumEni was huge beyond measure, tall and 
broad enough to pervade the entire universe. 

 

"Azhi mazhai KannA!" too is a call to Nrisimha, whose eye showered benevolence 
on Sri Prahlada like a veritable torrent of rain, drenching the latter in a 
deluge of Mercy, as sought by Sri Tirukkacchi Nambi-"KAruNya mAruta Aneetai: 
sheetalai: abhishincha mAm".

 

"MAyan" has to be Sri Nrisimha. The name denotes the ability to perform the 
impossible-"aghatita ghatanA sAmarthyam". Sri Nrisimha's glorious avatAra, 
springing out of Hiranyakasipu's palace pillar the moment it was smitten by the 
asurA, in a form which was neither lion nor man ("na mrigam na mAnusham") but a 
mixture of both, totally devoid of any serious weapon with which to slay the 
demon, is indeed a splendid demonstration of making Mission Impossible come 
true and of the display of unprecedented prowess. Hence this "adbhuta KEsari" 
is indeed the "MAyan" of the fifth pasuram.

 

"ari endra pEraravam"-It is this lion-god whom Rishis and Sages have in their 
mind when they wake up from sleep, for "ari" in Tamizh refers to the lion. If 
you have any doubt, listen to Sri PeriyAzhwar telling us that this "ari" is 
indeed Sri Nrisimha- "ari uruvAgi ariyayi azhittavanai  bandahnai teera 
pallANdu  pallAyiratthAndendru pAdudumE". Another Azhwar confirms that "ari" is 
indeed Sri Nrisimha-"azhagiyAn tAnE, ari uruvan tAnE". Immediately after waking 
up, these Sages chant the name of Sri Nrisimha with devotional fervour, filling 
the air with Nrisimha nAmam-"ari endra pEraravam". And why should the wise 
think of such a terrifying form as Nrisimha, first thing in the morning after 
waking up? Because He is auspiciousness personified-"Bhadram".

 

In the next pasuram, "Keesu Keesu" too, we have evidence of Sri Andal's secret 
love. When She says, "Kesavanai pAdavum nee kEttE kidatthiyO", She obviously 
refers to the Leonine Lord with His beautiful mane. If Kesava: is taken to mean 
one with beautiful hair, then it is Nrisimha who is alluded to here.

 

The three hallowed names that find a mention in the eighth pasuram, "MAmAyan, 
MAdhavan and Vaikunttan" refer to the lion god. The "MAya" sabdam's connection 
with Nrisimha was indicated in the context of the fifth pasuram. MAdhavan 
refers to Sri LakshmINrisimha, who is forever in the company of His 
Consort-"MAlOlan", whom Sri Kalian adulates as "alli mAdar pulga nindra Ayiram 
tOLan". The irrepressible Lord is also known as "Vaikuntta:", which word has a 
special connotation to Sri Nrisimha, as can be seen from the DasAvatAra 
Stotram-"Vaikuntta kanteerava:".

 

"PuLLin vAi keeNdAn" refers to the exploit of Sri Nrisimha in subjugating the 
"Sarabha" pakshi, which dared to confront Him immediately after the slaying of 
Hiranyakasipu, which episode is indicated by "pollA arakkanai kiLLi 
kaLaindAnai".

 

"Sangodu chakkaram Endum tada kaiyan" too is Sri Nrisimha only. During this 
avatara, in which the Lord could not use weapons for destroying the asura due 
to the special boons the latter managed to obtain, the inseparable Sudarsana 
Chakram transformed itself into the deadly nails the Lord sported, we are told. 
 "Pangaya kANNAn"-The Lord did not forsake His lotus eyes even during this 
terrifying avatara and they remained as lotus-like as ever, says an Acharya, 
who addresses Sri Nrisimha as "VArija vilOchana!" ("VArija vilOchana! mad 
antima dasAyAm, klEsa vivaseekrita samasta karaNAyAm-Ehi RamayA saha sharanya! 
VihagAnAm nAtham adhiruhya Narasimha! Narasimha!" 

 

The boundless infatuation the Lord has for Piraatti and the pleasure He derives 
from Her company, are described in the pasuram "kutthu viLakkeriya". This must 
doubtless refer to Sri Nrisimha, who is always to be found in the embrace of 
His Consort-"LakshmyA samAlingitha vAma bhAgham". 

 

All the thirty-three crore and odd celestials were paying tribute to 
Hiranyakasipu, who had them all under his thumb. By liberating them from the 
dreaded asurA, Sri Nrisimha became the "Muppatthu moovar amararku mun chendru 
kappam tavirkkum kali". As the whole world witnessed His prowess in slaying the 
asura with His bare hands, He is indeed the "Tiral udayAi". And, as Hiranya 
found out to his chagrin, Lord Nrisimha is indeed a terror to His 
foes-"SettrArkku veppam kodukkum Vimalan".

 

The next pasuram, "Ettra kalangaL" too contains several references to this Lion 
God. "PeriyAi"-Sri Nrisimha's was a mammoth figure, striking terror with His 
very form. And He shone with the brilliance of a thousand rising 
Suns-"tOttramAi nindra sudar".

 

Fearing the blazing orbs that the Lord sported during His encounter with the 
asurA, Sri Andal prays to Him to look at Her with merciful glances out of 
pleasant, lotus-like eyes, one like the Sun to destroy all the gloom of 
ignorance in our hearts and the other cool and consoling like the Moon, to 
provide us the instant bliss of Bhagavat anubhavam-"TAmarai poo pOlE sengaN 
siru siridE emmEl vizhiyAvo, TingaLum Adityanum ezhundAr pOl angaN irandum 
koNdu engaL mEl nOkkudi".

 

It is the next pasuram, "MAri malai muzhainjil" that speaks graphically about 
Sri NrisimhA's fragrant and bountiful mane ("VEri mayir"), His majestic gait 
("pOtharumApOlE"), His stentorian voice ("muzhangi") which is enough to strike 
terror in the heart of His foes, etc. The beautiful allusion to "Seeriya 
Singam" identifies beyond doubt the real Hero of this Prabandam, for the word 
"Seeriya" speaks volumes about Andal's admiration for this loftiest of Lords. 
And the word "SimhAsanam" can refer only to the seat of Sri Nrisimha, as it can 
be construed as "Simhasya Asanam". As befits a "Seeriya Singam", His throne too 
is a "Seeriya SingAsanam".

 

It is Sri Nrisimha who triumphs over His detractors with ease-"KoodArai vellum 
seer Govindan".

 

It is He who has as His profession, the Creation, Sustenance and Destruction of 
the myriad varieties of life, which is symbolised as cows ("pettram"), in the 
pasuram, "Chittram siru kAlE". And it is to Him that Sri Andal offers eternal 
service. It is with this Nrisimha that She professes eternal bondage and 
desires everlasting kainkaryam to-"ettraikkum EzhEzh piravikkum un tannOdu 
uttrOmE AvOm, unakkE nAm AtcheyvOm".

 

In the final pasuram, "Vanga kadal" too, Sri Andal refers to Sri Nrisimha with 
the epithets, "MAdhavan","Kesavan" etc. The words "SengaN Tirumukham" indicate 
conclusively that is Sri Nrisimha who is Her Hero, for it was during this 
avatara that the Lord's eyes blazed with the reddishness of anger against the 
unrepentant asurA. "Selva TirumAl" is indeed the lion god, who is forever in 
the embrace of the Goddess of Wealth and who has incredible and unfading 
infatuation for Her, despite innumerable millennia of married life. And it is 
the worship of Sri Nrisimha, which would confer upon us all types of 
auspiciousness and ultimately the endless bliss of Bhgavata anubhavam-"engum 
tiruvaruL 

pettru inburuvar". 

 

To those who are inclined to scoff at the aforesaid as being far-fetched, 

I would recommend a visit to Srivilliputtur, where, till date, the shrine of a 
majestic Nrisimha greets everyone and whom we have to worship before passing on 
to the sannidhi of Sri VatapatrasAyee, as Sri Andal must have done too, in Her 
times. 

 

Srimate Sri LakshmINrisimha divya paduka sevaka SrivanSatakopa Sri Narayana 
Yatindra Mahadesikaya nama:

Dasan, sadagopan

 



[Non-text portions of this message have been removed]



 

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