David Lim wrote:I would disagree with some examples of nuances that he "identified", and I would want to see how someone might explain Luke 10:5,10 because none of his five criteria apply as far as I can see.
Baugh goes along fine with the infinitive and the subjunctive but then he comes to the imperative and everything blows apart. His method seems weak for determining aspect in imperatives, but that is probably due to the nature of the imperative not necessarily his schema.
Applying his method to Luke 10:5,10 we come to realize that with λέγετε and εἴπατε there is no clear aspectual significance in this instance. I believe this supports David's assertion. The lexeme λέγω seems to be both atelic and telic but may tend more toward telic while λαλέω could also be both but tending toward atelic. David's comments from Funk come to mind that imperatives have to be judged individually according to their context or words to that effect.
Baugh says;
“These samples illustrate that tense form analysis in the non-indicative moods is a fine art which requires particular care and sensitivity to the underlying tendencies governing form selection. It is also part of a process of interpretation of forms in their contexts, not a rigid or mechanical application of statistically proven norms to every possible occurrence. Ancient Greek is not mathematical symbols, but a language once very much alive and refined!”
With Baugh's method I feel like I'm being instructed to drive a car for the first time and a stick shift at that! Buckle up, right foot on the brake now with the left push in the clutch...you can put the car in neutral before you start it but you don't have to. Okay good...now ease up on the clutch pedal slowly and give it some gas...nooooo! Slowly! Ah you popped the clutch! So I'm not sure if I've applied his method properly to Luke 10:5,10 especially since he describes his method as a "fine art."
Baugh's description of aspect puzzles me. He seems to use terms for aspect that both Robertson and Smyth are using for Aktionsart but he goes on to take Nigel Turner to task for confusing the terms of Aktionsart and aspect. Who's the culprit here or what am I missing?
"Author’s Descriptive Choice
If you have considered the factors sketched out above (i.e., the atelic/telic
character of the event; the situation; prayers), and you are satisfied that a form you are examining is not the default form, then you can confidently interpret the form as conveying some aspectual nuance.
The progressive, iterative, conative, inceptive, resultative, etc. ideas are sometimes conveyed in imperatival forms as in the other moods. It takes a certain sensitivity to and experience with Greek to perceive these nuances in many cases, especially when you are aware of the important but subtle role of the factors which control the selection of default imperatival tense forms. But the nuances are there in some cases!"
"9For example, Nigel Turner: “For Greeks of all periods, a present imperative was an order to do something constantly or to continue. . . . The Aktionsart of the present must be clearly distinguished from that of the aorist, which is not durative or iterative and expresses no more than one specific instance of the action of the verb, involving usually a single moment of time. One will readily appreciate that an aorist command does not envisage a general precept but is
concerned with conduct in specific instances. . . . The same principle holds in negative commands. If the tense is the present, prohibition will be against continuing an action which has already begun. If it is aorist, prohibition is against beginning it” Turner, Grammatical Insights Into the New Testament (Edinburgh: T. & T. Clark, 1965): 29-30. Notice how Turner uses the term Aktionsart as roughly synonymous with “aspect”; this is not its proper meaning, and such
incautious use of terms has contributed to significant confusion in the whole discussion of Greek verbal aspect."