Imaginary Modernization and Mapping of Space:
Location-based media in Polish urban landscapes
Central European University
University of Łódź
This article examines location-based media projects implemented in selected Polish cities by local governments. We scrutinize the uses of the media, not only on the level of the end user, but as a certain tool in discursive efforts to assure a “modern” identity of the involved cities. Thus, we see these projects in broader social and cultural contexts. Drawing from Frederick Jameson's critical method, we investigate the consequences of them for human experience in urban surroundings and the imaginary struggles for modernity in the situated context of Poland. Substantial background for our claims is a long term, extensive multi-sited, situational ethnography and discourse analysis, triangulating the data related to the implementation of the said projects and relevant discursive resonance in media coverage. We argue that geolocation in Polish cities constitutes a technological substitute for lost cognitive mapping capacities and self-assurance of being modern. Moreover, it appears to be a kind of symbolic act re-presenting cultural contradictions and frictions on a subjective level as well as on an institutional one.
Keywords: location-based media, geolocation, modernization, peripheries, Poland, cognitive mapping, city, the urban
New media in new cultural context - An introduction
In recent years Polish cities have experienced a huge wave of
projects introducing location-based new media, also known as locative media,
into urban spaces. A vast majority of them were funded by city councils and
local city officials. The projects were either heavily affected by
post-state-socialism transformation and the subsequent implementation of
neoliberal policies, or they were initiated by small urban centers desperately
striving for broader recognition. Both cases bear significant traces of certain
identity struggle – local municipal governments are waging heavy battles
to build better images for their cities. For instance, in Lodz, Katowice,
Rybnik or Wodzislaw Slaski various tourist information systems were introduced,
drawing abundantly from recent location-based media and augmented reality
technologies such as 2-d codes, GPS, Location
Based Social Networks, and others.
These projects were develop in particular
institutional contexts, and seemed to be directed to other purposes that either
direct commercial utility or even basic user-assistance. Their implementation
was intensively exposed to the public in local media coverage and discursive
productions of the city councils themselves. Therefore, we study these media in
context, as part of broader social and cultural deployments. Moreover, we focus
on locality as a general cognitive form and frame of experiential reference, as
well as a very real, material neighborhood (polis and metapolis). We understand
location-based media as any digital resources that can be connected with
physical locations and objects – generally making use of geographical
position (see Wikipedia – which we find reliable source in such
problematic field, as a kind of crowd-sourced definition collecting device, see
also Tuters and Varnelis, 2008 or Lapenta 2011). As The Center for Locative
Media aptly puts it, we can use this term when media are contextualized with
an extensive, albeit long term, unstructured, multi-sited ethnography of this
process, we investigate it rather as a cultural phenomenon. Therefore, we look
at institutional contexts, imaginary struggles in which location-based media
began to be a weapon, at strivings for being modern and for the recognition of
cities as legitimate and successful subjects of modernization, and last but not
least at the role of these projects in the collective imaginaries of Polish
city-dwellers. Moreover, we focus on the issues of the construction of a new
mode of urban experience, of the cognitive mapping of social space and, and of
references to the past delivered by these projects. However, we see them as
local, situated redeployment and rearticulations of a general "mobile
revolution" in a context relative to the underdevelopment of Poland, and to the
particular social context of the post-state socialism condition. Thus we see
location-based media and new technologies in current Polish cityscapes as a
form of modernism of peripheries.
On the rims of the modernizing world the process of social or
technical change always differs from that of the center. Border territories of
occurrence of a given phenomenon are usually a field of tension, a test area
were things not easily noticeable elsewhere appear in daylight. There is
neither place nor need to raise the disputes about modernization and even try
to include in this analysis this huge subject filed. What is worth mentioning
is the general turn in thinking about modernities towards local, peripheral and
idiolectal issues (from extended literature on pluralization of modernities see
for example: Appadurai, 1996; Augé, 1995; Eisenstadt, 2000, Majewski, 2009).
Looking back on the historical period of industrial modernization in Poland,
what was happening can be described as a kind of modernism of peripheries
(understood as a situation when the cultural exchange balance is minus, when
more is taken than given in the cultural circuit between countries or regions
(Jedlicki, 1999, see also Berend, 1984 and Kula, 1983).
However, we believe the
process was not exactly the cultural complex which Marshal Berman called
modernism of underdevelopment (Berman, 1983). In contrast to his depiction, it
was not always a cultural imaginary which preceded a socio-economic change. The
region was situated relatively nearby the core, and changes taking place in
some regions were as intensive and progressive as in the core regions (as in
nineteenth-century industrial cities with extreme rapid growth rates such as
Lodz and Zyrardow). Nevertheless, after the material layer of development, the
cultural superstructure did not follow. Consequently, a pure symbolic
substitution of modernity did not (and did not have to) appear – the
material and technical base was simply more modern than the culture
accompanying it. At the same time, culture could not become a surrogate of the
still partial modernity (somehow paradoxically, industrialization could be
implemented rapidly, but modern culture not). Therefore, what Berman suggests
for the rest of the tsarist empire, which Poland at this time was mostly a part
of, was not the case: "the modernism of underdevelopment is a force to build on
the fantasies and dreams of modernity, to nourish itself on an intimacy and a
struggle with mirages and ghosts" (Berman 1983).
Nevertheless, in some sense it is contemporary Poland which is
undergoing precisely this type of modernism of underdevelopment, and it is
possible to consider new media projects implemented in Polish cities as
Berman's surrogates of modernity. Marek Ziółkowski aptly called such a
situation imitative modernization/transformation, always a step behind, copying
patterns from the center (Ziółkowski, 1999: 41) and compulsively trying to
keep up with it. In this context, we propose to look at some peripheral uses of
location-based media to investigate particular forms of epidermal modernization
through technology. We also believe that a
particular redeployment of technology can provide universal insights into the
cultural contexts of technology.
the scientific field of media and technology studies what is usually considered
as most interesting to analyze, research and observe is the vanguard, the core
of change (also somehow in Wallerstein's sense, see 2004), the center of
development. Notwithstanding, we assume that verification of the ideas in
practice often takes place not in the center, but on
the peripheries. Therefore, we decided to focus precisely on Poland to examine
located-based media uses and projects in a broader cultural context, especially
concerning the subsequent consequences for human experiences of space and
imaginary struggles of being modern. We chose some examples of such uses in
various cities in order to scrutinize a selection taken from a set of the most
recognized projects which drew much attention of the local media in the period
2008-2011. We especially focus on one of them, namely the city of Lodz, as most
emblematic of the peripheries, where the processes mentioned above are
strengthened by the city's industrial character and its structural problems
after the year 1989 (which we elaborate on later).
Figure 1. Tourist information plate with QR code on 19th century palace in Lodz
Towards a cultural analysis of media uses: Remarks on research
Data mining for this study was a combination of unstructured
qualitative research methods. A bundle of techniques, both ethnographic and
stemming from discourse analysis, (such as participant observation, textual
analysis, mapping and tracing the interconnections of involved actors and
factors, following processes of implementation of location based media and
related media, and cultural response) was used to generate an extended and
diversified data resource for further scrutiny. In particular, worth mentioning
are: participation and observation in five different, major place branding and
tourist fairs in Poland (where such technologies were presented)
extended query of journals dedicated to the local administration or issued by
it as an official communication tool, participation in branch conferences on
mobile marketing, extended studying of reports on mobile and location-based
technologies and place branding, and long-lasting tracing of implementations of
different solutions in the field of study (through the press, unstructured,
informal interviews with entrepreneurs and local administration staff, and
others). These data were supplemented
by an internet query around such search items as "geolocalisation",
"smartcodes" and other related terms (in Polish) to pick up interesting points
of entry for further scrutiny. Thus, the method could as well be referred to as
a theoretically-saturated, situational (Clarke, 2005), multi-sited,
ethnographic analysis of the cultural context of the media (see Falzon,
2009; Marcus, 1995).
Subsequently, all the data were subjected to a qualitative,
hermeneutical analysis in search for their cultural meaning. Every cultural
text, product or enunciation, such as a speech act, was treated as a symbolic
act (Burke, 1973), bearing
a broader cultural meaning and significance which could be traced and exposed
in the research process. Following
Ricoeur, we draw on two modes of interpretation, intermingled in a
dialectical bond, namely demythologizing and demystifying an element. While the
former is connected with empathic engagement with a text (and indirectly, its
author), the latter is a one of suspicion, where we seek to identify a meaning
not clearly visible, beneath a text's direct, literal meaning (see Ricoeur,
1970). Following this path, we attempted to read and interpret these symbolic
acts in the broader cultural complex of Polish modernization, understood as an
actually existing process of technological, infrastructural, social and
cultural change, as well as a prevailing discursive theme in debates defining
contemporary identity and the aims of politics.
Frederic Jameson's hermeneutics of culture – A critical
The challenge of a bricolage-like cultural analysis of this
specific entanglement of technology and cultural acts, institutional contexts,
and broader cultural processes which are not reducible to a subjective
interpretation of the actors, begs for a suitable language of description.
Therefore, we decided to draw on Frederic Jameson's peregrinations in the
critical theory of late-capitalist culture. It offers a not reductionary
depiction of cultural acts, exceeding subjective self-description, not
simultaneously sliding into a hyper critical, marxist-critique-of-idelogy-like
mode of reasoning. Moreover, it enables also to express the inner truth of
consumer happiness which seems a not irrelevant dimension here.
Frederic Jameson, an American cultural critic with rather unveiled
Marxist inclinations, has proposed an interesting way of
conceptualizing cultural phenomena and artifacts. He argues that a cultural
investigation should be done in reference to a broader context of social
totality, integrating economic, cultural and structural factors. Tracing the
comprehensive socio-cultural relations (which he does not hesitate to call a
mode of production), he tries to reveal a "deeper" meaning of cultural
artifacts and practices. According to Jameson, the whole post-modern culture
(Jameson 1991, 1998) is not only an effect or a symptom of late capitalism, but
also a sublimation bringing a suppressed and controlled releasing of its
contradictions, thus facilitating its further existence. Furthermore, culture
is a form of neutralization of hidden desires deposited in the collective
unconscious. The role of a cultural critic is similar to that of a
psychoanalyst or archaeologist – he or she reveals cultural
contradictions concealed in the "political unconscious" (Jameson, 1981). On the
epidermic level of culture, different frictions and tensions could be observed
in a displaced form. They are expressed in various texts of culture (in the
broadest sense), or as Jameson puts it, after Kenneth Burke, in symbolic acts
(Burke, 1973, Jameson, 1978). These artifacts should be comprehensively and
dialectically investigated, and their relations with the social totality and
internal structure ought to be sought (Jameson, 1981).
Such a symbolic act is not a direct representation of a
contradiction; nevertheless, it is constantly connected with it. The structure
of this relation is somehow "psychoanalytic": a form of symbolic satisfaction
is a displaced reaction for the contradiction (see Kuźniarz, 2008). It is
an expression, as well as a neutralization, aimed at fulfilling intolerable,
impossible, but inherently unavoidable desires, which could be immediately
silenced at most by a surrogate of satisfaction (Jameson, 1992). A cultural
text (Jameson is a literary critic, but he generalizes this way of reasoning
for almost all cultural phenomena) is a focal point of various social bonds,
institutions and power relations, which expresses a state of collective
unconsciousness and reveals cultural contradictions on various levels
Also, location-based media and their role in the real and
imaginary modernization of Polish cites can be seen as such a cultural
configuration. We propose to investigate them precisely as related to a broader
structural configuration, containing economic and cultural factors. In our view
uses of technologies and their discursive presence (in the media, in struggles
for identity, and in the marketing of Polish cities) are not a contingent
element of economic and technological development. On the contrary, they are
rather an expression and re-presentation of certain cultural contradictions and
frictions. Thus, they are nothing less than symbolic acts of Polish
Location-based media in Poland - Mobile revolution
mobile revolution was only possible because of earlier trends of Web 2.0 and a
general increase of user participation in data creation (Lapenta 2011). A
transformation from top-bottom communication to bottom-top has prepared a
subsoil for mobile solutions, which user engagement is an indispensable
condition for. While observing what is happening with data production, it is
easier to agree with optimistic prognoses of Web 2.0 consequences, such as Paul
Levy's collective intelligence (Levy, 2000) or Howard Rheingold's (2002) swarm
intelligence, which to some extent have come true. Alarming voices of
techno-skeptics like Neil Postman, Clifford Stoll or Andrew Keen seem to be in
retreat. The collective intelligence, the folksonomy, or other forms of
user-generated content, if only not taken for scientific, fully reliable knowledge,
are crucial for modern culture. They influence the urban landscape as well,
just to mention concepts gathered in the influential book Technocities
(Downey, McGuigan, 1999) or concepts of citizen plug-in (Nawratek, 2008).
It is geolocation which also constitutes one of the most important
streams in present technological change and in the turn towards the final user
as a contributor, being directly related to urban landscapes and experiential
frameworks of the city-dweller. As A. de Suoza e Silva and D. M. Sutko argue,
for location-based media the most constitutive properties are: overcoming of
the division between virtual/reality, creating a clear articulation between the
physical and the informational, and constructing a close dependency of
practices and user interaction (de Souza e Silva, Sutko, 2010). Geolocation,
being a part, or a gate, to augmented reality, cooperates with GPS, compasses
and gyroscopes. It is not a virtual reality, as it does not create a brand new
fantastic world, but complements and extends the real one. That is why Lev
Manovich decided to propose the term augmented space (Manovich, 2003).
Our experience is not dominated by virtuality in an alternative world, it is
only augmented – we are still present, conscious of the real space around,
but with new additional virtual elements; it is a kind of a hybrid space (de Souza e Silva, 2006)
In the development of the technologies which are introduced in the areas of our
particular interest, three crucial trends can be pointed out:
-an increasing role of the user in the recent 15 years: Web 2.0,
folksonomy, crowdsourcing etc. (Surowiecki, 2004, Howe, 2007 and 2008, Graham,
-a mobile revolution: mass usage of smart-phones and tablets, a
flood of mobile-based applications and other media solutions available for the
most common private devices.
-and last but not least, the most
"fancy," at the moment, role of geolocalisation: LBS, GPS, IP localisation,
first and the second dimensions were diachronically successive, and the third one
is in some way a subsequent result of the other two. Without a doubt,
geolocation has its five minutes of fame, specially the so called LBSNs
(Location Based Social Networks) which are in a popularity kick.
The rapid increase in the number of location-based or smartcode supported
applications, the fast developing wi-fi infrastructure, as well as the falling
prices of mobile Internet and general data transfer have reached Poland as well.
Mobile phones certainly have changed from simple talking machines into
multifunction, multimedia communication platforms. For instance, in Poland
there are over 54,9 (2013) million active SIM cards (and 38,5 million of
inhabitants, which makes 142,3 active SIM cards for every 100 citizens at the
beginning of 2013) and optimistic prognoses assume that already one third of
active mobile phones are smartphones,
devices able to participate in geolocation projects (tablets and netbooks are
another large group). This is just a part of wider processes, a "mobile
revolution". Our phone has become the most important source of information
about the world – material and virtual. It explains the modern world to
us, helps us to orient in reality, reads space, decodes culture, and also
traces our every move (Negroponte 1996, Katz&Aakhus 2002), preference and
choice. It becomes our best friend, who knows and remembers everything, and
advises and supports us at any time.
complex deployment of material and discursive factors, as well as multimodal
relations of forces and interests shape the frames of development of
geolocation technologies in Poland. Three main types of actors are active in
this process: (1) local governments, city councils and the public sector; (2)
entrepreneurs and business; (3) non-governmental organizations and informal
social groups. An additional factor, which structures the frame of these
actors' activities, is the European Union's system of funding and supporting
innovative solutions in newer member regions. In last few years Poland was one
of the main beneficiaries of EU-funds, and the influence of programs like
Innovative Economy or Regional
Operational Programs was significant. What is more, in Polish cities the
most visible actors are not entrepreneurs, but local governments and the NGO
sector, and the role of both has been getting stronger in recent years,
empowered on the local political level. Business is present mainly as a
ready-to-use solutions provider (often global, however the tendency in Poland
is to prefer local Internet trademarks (Krejtz, 2010), as for example: software
for decoding smartcodes - I-nigma, application for augmented space – like
Geopedia, Where, Layar; or as a subcontractor for some specific
implementations. Local governments and activists produce different projects,
from the most entertaining/ludic-like location-based mobile urban games, to
more formal projects like official tourist information systems. Business is
more important on a discursive level, where the aforementioned marketers
produce a discourse of compulsory modernization and a technology-enthusiastic
apology for new media. Moreover, it shapes the particular solutions that are
introduced. Marketers and PR-specialists dealing
with new technologies already announced the mobile revolution, and what remains
is to keep up with the tide.
Experience of Polish cities – Empirical phenomena and
Without a doubt, we are witnessing a rapid change in everyday
experience, especially the experience of being-in-the-city, as this kind of
space is the most augmented by new geotechnologies. As the latest statistics
show, geolocalization is most popular in the biggest cities in Poland,
while supported mostly by
middle-sized ones or, as in case of Lodz, those without a stabile identity and
symbolic position. Some information systems were built on Layar, described by
its provider as a"...Reality Browser [which] shows what is around you by
displaying real time digital information on top of the real world as seen
through the camera of your mobile phone".
Everyone can add his or her data to the map. Nothing is easier than to built
your own "layer", which was done by the city of Katowice (Pezda, Malinowska,
2010), gaining all the primacy of being the first Polish city with Augmented
Reality. The Layar works like a reality scanner. Looking through a phone
display one can see a geographical grid and a mini-radar, with all the
preselected groups of objects.
Figure 2. Lodz's citizens learning how to use new technology
In the year 2011 a tourist layer was supposed to
be created for Lodz (a post-industrial city in central Poland and the third
biggest in terms of population with around 700 000 inhabitants), but works were
abandoned because of the city's debts. This project was to be the continuation
of a mobile tourism information system called "Decode Lodz", which was
highlighted as the first tourist information system in Europe based on
smartcodes. Smartcodes are a new generation of graphic codes operating in two
dimensions; therefore, their other name is 2d codes (but also QRcodes or
photocodes), and they can be also seen as part of Augmented Reality. By using
them one can encode not only numbers, but also other alphanumeric characters.
Thanks to this, smartcodes can become a link to the virtual world, a
combination of the real object and content related to it which appears on the
Web. In practice, this brings immediate specific
information tailored to a certain place. In Lodz, more than 50 historical
buildings received smartcode plates. After scanning one of them, a user is
transferred to a mobile webpage, gaining access to information about the
monument. Moreover, potentially, smartcodes may also provide more complex
commands for mobile devices, using GPS capabilities and so on.
Currently, the most extensive system, based on different
location-based solutions, was made in Wodzislaw Slaski, a small city in South
Poland with about 50 000 inhabitants. The local tourist information system is
based on smartcodes located on the most important monuments, on intelligent
kiosks delivering tourist and cultural promotions of the city (including the
transfer of certain information to a mobile via Bluetooth), as well as on quite
classic website and mobile applications containing tourist and cultural
In 2011 an almost identical system was built in nearby Rybnik and Zory (the
same region, similar amount of inhabitants).
Figure 3. A park in the city of Wodzislaw Slaski.
Furthermore, Polish companies are working on another novelty, the
GPS audio-tour for car use. As we drive, the GPS system, in addition to the
information about the next crossroads, will also show nearby interesting places
and will say a few words about them. Another futuristic project, but one likely
to become common, is a simple mobile application, created by students from the Technical University of Lodz, that distinguishes objects from the real world by shapes.
While we scan the space around us with a mobile, recognizes shapes or
configurations of shapes saved in its database. In practice it means
recognition of, for example, a logo or a monument, or even an architectural
style of a particular building. The natural consequence of all this is to think
about an omnipotent system, both inclusive and selective, which can accomplish
all of these possibilities.
Therefore, one should ask if all these phenomena and their
particular implementations, the many uses of location-based media, are only
simple outcomes of technological development or if they mean something for, and
indicate something about, a broader cultural context. Thus, we look for
theoretical critiques of culture which could help us to read these uses of
geolocation media in a cultural-context way. These theoreticians of media are
not always recent ones, as we are concerned that every cultural phenomenon
should be scrutinized in a broader frame, not reducible to the here and now.
All the aforementioned cities struggled with a post industrial
heritage and "wounded identity" (Salm, 2006, Kloch, 2005). Rybnik, Zory and
Wodzislaw are small towns of the Silesia region, while Katowice is the capital
of it. Whereas Silesia was a well-developed heavy industry center, Lodz excelled
in the textile industry. Both branches collapsed after 1989, leaving these
cities in deep crises for the next decade. Problems with creating new economic
and cultural development and, on a symbolic level, a new identity were in our
opinion crucial factors inducing investments in new technologies. They posed a
means to accelerate, or just substitute for, the desired but lacking
development, especially in the context of modernization as a main, hegemonic
signifier organizing Polish political and regional discourses. Therefore, we
focus on a broader frame of cultural tensions and contradictions which Polish
cities (or maybe the whole cultural configuration split between regressive
traditionalism and compulsory, mainly infrastructural, superficial modernization)
cope with. Indeed, this broader focus is also a way out of some futile, inner
media studies debates and possibly a way to shed new light on the field.
of imaginary modernization - Struggle for being modern
of development, deployment of factors and actors engaged in the development,
and, last but not least, the cultural significance and the role which
technologies take on the level of collective consciousness are not an outcome
of contingent processes, but are interconnected with a kind of historical
situation, over determined by a network of structural relationships in the
social totality. All these technologies, their implementations and uses, play a
specific role in a broader cultural and institutional field of Polish
modernization processes. Perhaps this role should be carefully examined
considering the importance of new technologies as an imaginary factor of
infrastructural projects in smaller towns have been already partly realized,
now the informatization, innovation and new technologies can come to the
Poland was and is the biggest recent recipient of funds from the
European Union budget; the sum of donations in the period 2004-2010 was about
32 million euros (that is almost 1000 euros per citizen). We can read on the
official governmental website that "since the start of programmes until July 2013,
268 300 applications
(correct from the formal point of view) were submitted for the global amount of
co-financing (both Community and national funds) of 548.5 billion Polish zloty"(http://www.funduszeeuropejskie.gov.pl). The second biggest group of
beneficiaries, after agricultural concerns, is local governments. A significant
part of these funds are spent on new technologies, among them location-based
Figure 4. Odkoduj Lodz press conference in 2009
The present situation is defined by previously unbelievable
financial possibilities provided by EU grants and state government development
funds. The application process is not very complicated, especially with the
expert support provided by companies interested in selling particular
solutions. EU subsidies managed by local development agencies are granted to
public administration units, which, not so rarely, delegate the whole task (and
money) to private companies. Outcomes are spectacular, measurements are met,
articles in local newspapers are enthusiastic, and official openings are
exciting. Only if the project is really well designed and useful will some
other people benefit. Unfortunately, this is not a rule; further development
and keeping the implementation functional and attractive for ordinary users
This situation gives us an opportunity to ask what is the deeper
cultural role of geolocation media in Polish cities, considering particular institutional
conditions, which artificially feed this development. The main task of
promotion departments, tourist centers, and PR teams in city councils is
constructing and disseminating the identity and public image of the city, both
for the city dwellers and potential investors and tourists. Technologies and
services seem to be important precisely in this field, rather than realizing
the practical needs of users/inhabitants. What "questions posed by [the]
situation in which they arouse" (Burke, 1973) do these symbolic acts answer?
Symbolic acts here mean concrete, localized investment and implementation
decisions covering geolocation media in Polish urban landscapes. Why was the
early and spectacular initiation of these solutions so important for Polish
city councils? What does this indicate about the Polish "urban"?
Jameson has pointed out the role of "the urban" in postmodern
identity. Of course modernism and modernity were par excellence urban.
But it is the cultural logic of postmodernism which is based on acclimatization
to and generalization of the urban as a form of life, as well as an indicator
of contemporary cultural identity. This logic has also generated specific
problems emerging from the impossibility of relating to otherness, an
impossibility which negatively supported our own identity, and confirmed our
identification and our adherence to modernity. "The modern still had something
to do with the arrogance of city people over the provincials, whether this was
a provinciality of peasants, other and colonized cultures, or simply the
precapitalist past itself: that deeper satisfaction of being absolument
moderne is dissipated when modern technologies are everywhere" (Jameson,
Katowice, Lodz Rybnik, Wodzislaw Slaski
or Zory (cities in Poland, big but sometimes underdeveloped or middle sized)
are not only examples of effective searching for EU funds or attempts to make
the most of the media boom and professional prosperity. What they are
participating in is a great struggle for defining provinciality. Somebody who
utilizes the newest geolocation technology, could not be classified as such.
Introducing smartcodes in the damaged and not sufficiently financed center of
Lodz is a magical act repelling real shortages and challenges. New technologies
create imaginary satisfaction. Structural, post-transformational poverty, urban
sprawling and lack of infrastructure are severe problems not possible to solve
without sufficient funds. An innovative geolocation system is not so expensive
but far more spectacular. Furthermore it helps to construct a modern symbolic
identity and wage a battle for a modern public image. Moreover, it is not just
that these enterprises are only a symbolical substitution for modernity, and a
distorted symptom of chasing the modern from a peripheral and underdeveloped
position. It is even more the matter of the local, peripheral "run" on the
imaginary level by Polish cities. It is another way to create a desired,
alternative, inner distinction from the non-modern, which is not easily
available outside the center. "[T]here are no longer any
provinces, and even the past comes to
seem like an alternative world, rather than
an imperfect, primitive stage of this one" (Jameson, 1998).
Re-presenting the past
The past finds also a peculiar place in
geolocative media content, really and immediately becoming an alternative
present. In Decode Lodz, barcodes refer us to archival photographs and sounds.
Layar can project on the physical space its past appearance – present a
damaged synagogue or long ago disappeared seventeenth-century docs, guide us
though the existent city changed into the alternative present of the past.
Augmented reality gives us an opportunity to "embed" virtual objects, such as
the mentioned historical buildings, into real space, and the same applies to
other artifacts or avatars. On a smartphone display, the surrounding urban
space is turned into open air museum; the user defines the epoch, topic, or
even the scenario for the course of past events.
The interference of different streams
of imaginary modernity, identity self-struggles, and removing the past and
reducing it to the alternative virtual world augmenting everyday life have
become important elements of the Polish urban, or maybe they have become the
whole experience of the present in semi-peripheral late capitalism.
Moreover, complicated present relationships with Polish history
also find an expression here. The twofold dynamic of remembrance and
forgetting, the intertwining of shallow patriotism and the impossibility of
reworking our own history correspond perfectly with reducing the past to, on
the one hand, theatrical battle reconstructions, and, on the other, electronic
guided tours evoking pompous feelings. Consequently, the past as alternative
presents, 'live' decorations of augmented space, and superficial contact with
reduced, 'epidermal' history do not disturb the collective conscience and at
the same time satisfy the need of past-oriented national identity. This is a
fallen form of modern, civil patriotism. This collective self-confirmation has
an individual parallel in the substitutional mapping of social relationships by
technology-based solutions, which provides navigation in a multidimensional
contemporary world escaping easy subject conceptualization.
mapping of space
whether we put under scrutiny LBSN services, geolocation applications, or
smartcodes in tourism, we can distinguish two key moments: (1) conferring a
surplus dimension on urban space – constituting augmented space and rendering
additional content deployed in the real space; and (2) locating the user not
only in an artificial configuration, but also by material and real reference in
space allowing the user to cognitively map the world around. The first aspect
creates an individually configured, personalized, "subject-centered" world, the
nucleus of which is always occupied by the user who defines the particular
features of this world. The second situates the user in an "objective",
existing space, thus gaining an inter-subjectively recognizable place in it.
Both aspects interfere and constitute a kind of "paranoid" subject position of
the user, whose world is taken for granted by a constructed "I", concentrating
his/her whole knowledge and experience (see Roberts, 2001).
The multifunction phone accompanies us in every single moment of
our existence; it becomes a kind of subjectivity extension. Already equipped
with technologies mediating social experience, the phone is now also a
geolocation appliance mediating the topographical experience. It saturates our
sensory universe with an additional layer of meanings which we utilize in
various manners. It provides a substitute cognitive mapping (Jameson, 2000),
which has been lost in the multidimensional social space of late capitalism. As
we cannot clearly refer to our location in social space and embed ourselves in
the totality of social relations, we are tremendously looking for rooting
ourselves at least in the physical space of the city (bear in mind that the
city is a main frame of reference of existential experience for the urban
dweller, and the city is the very archetype of political collective!). Thus,
geolocation technologies situate us in space – in its "real"
physical sense - by indicating our position on a map, as well as, on a more
metaphorical level, supplementing our subject self-coordinates. This said, we
can relate to the local context.
The post-transformational public sphere, with its peculiarities,
does not give a sufficient frame of reference for collective political action.
Real-socialism, a social void, and the lack of intermediary institutions
between the state and individual have been filled by satisfying private needs
and material interests, removing the political dimension from everyday
experience. Moreover, anti-political attitudes have been strengthened by the
discursive suturing of the political sphere with official state socialism.
Dissident circles and oppositional political languages looked for legitimate
collective activity in civil society, as opposed to the state. Consequently,
deeply anti-political attitudes were created, perfectly conjoining with the
post-political governance of neoliberal states. The weak civil society, if
present, was rendered as counter-political, and the alienating condition of being
was self-reduced to the economic sphere (in both meanings, the home and company
management) producing a "political unconscious" (Jameson, 1981) which seeks a
displaced satisfaction in new, technological sociality, and new kinds of
imaginary bonds with locality.
A significant share of the supply of content for geolocative media
(state and private, centrally designed, and user generated) is historical and
local in character. The general pattern can be referred to as a "describing the
space" paradigm, aimed at offering, reminding, and evoking particular meanings
which saturate the surroundings of the user. Tourist information, after "memory
boom" (Winter, 2000), consists of memories, histories from below, and private
narratives instead of official facts. Thus, it targets emotions by confirming
the feeling of domestication or rootedness, helping us to recognize the space.
It does so with a foreigner who is told about his/her new surroundings as well
as with an inhabitant who can better integrate him/herself with a place of
residence (this goal is the explicit, main aim of some projects, like Decode
Lodz). Thus, it constitutes a new mode of situating the subject in space.
A mobile phone – a gate to augmented reality – situates
us in various ways, not only in a physical location, but as a clear marker of a
place in the social structure (not limited to a sign of prestige as the newest,
expensive item or sign of a particular life style). LBSN services allow us to
integrate the physical coordinates of an individual with the "social" one, a
position in the social network, with digitally transformed personal relations
represented by "bubbles" appearing on a phone display. The phone is not only
the subject extension, but an apparatus which we reflexively read ourselves
from. It is a king of technological "looking glass self", to refer to Ch. H.
Cooley. Whereas earlier we were able to verify our social relations by a
quantity and quality of Facebook contacts and a set of used applications and
devices, now the process is enriched by a spatial dimension and the mobility of
a new medium. The quality of one's sociality is represented by a number of
entries to a homepage, or markers on a map (regardless whether they substitute
or facilitate real encounters). These services are no longer bound with our
laptop or PC; they accompany us everywhere.
Moreover, our day agenda can be
systematized and evaluated by organizing an application and effectively
executing its schedule; whereas a consumer profile is defined by a market
advice service based on users' opinions. Simultaneously, a smartphone can
display real-time weather conditions, helping us to choose clothing, and
biometeorological conditions which define our mood, and so on. Our subjectivity
has been objectified, "we read our subjectivity off the things outside"
(Jameson, 1998). Our identity as modern and urban is rendered by such objects
and technologies in countless ways. Therefore, it leads to the suspension of
the subject-object dualism, as both its sides are merged, not so rarely under a
rule of the latter. Our subjectivity has been deployed in objects.
Conclusions - Results and discussion
Location-based technologies are not only a standard and
unproblematic element of technological development. Their importance should not
be reduced to everyday functionality or the lack of it. Uses of media, by final
users as well as by NGO's and city councils, should be carefully
scrutinized in relation to institutional context, and, what is probably most
interesting here, considered as embedded in the broader cultural dynamic of
imaginary modernization. The struggle for the "modern" identity of the Polish
city and a general "modernism of underdevelopment" in its 21st century avatar
evoke strong contradictions and frictions. Consequently, they generate symbolic
acts providing an appropriate collective consciousness of being modern, and,
last but not least, of being urban. A broader discussion engaging citizens as
well as touching on more severe problems about Polish modernization has not
been commenced. Progress is unproblematic, and self-evident category, not
considered as a complex and contextualized idea, which should be a matter of
political reasoning and decision. Local councils' strategies and regional
policies are also affected by this problem. Thus, these symbolic substitutions
establishing imaginary modernization should be seen in this context. It is not
to say that related aspects of modernization should be entirely condemned, but
rather that one should problematize them in order to be more aware of their
cultural background. Of course the "mobile revolution" is an universal
phenomenon, bringing about the re-framing of spatial experience and new kinds
of electronically mediated sociality. In the peripheral context of modernization
it takes on rather vernacular and idiolectic shapes, which can be seen as
indicators of deeper frictions of modernizing consciousness.
Towards a conclusion
All these raw comments are rather of a "sensitizing" value,
evoking a heuristic potentiality at best. What is most striking is the
possibility of a "symptomatic reading" of geolocation media usages, going far
away from obvious matters of fact. This reference to broader cultural and
structural contexts relating to institutions and deeper layers of cultural
needs, allows us to contextualize these technological solutions in ways
different from the usual research paths focusing on technology on one side, and
on relationships with the human perception apparatus on the other. Geolocation
could appear as a significant factor in shaping new kinds of subjectivity, not
only on the individual-cognitive level, but also in relation to broader social
structures. As an important factor in the imaginary modernization of
peripheries, media uses can be examined as discursive and cultural phenomena,
enabling a kind of partial hermeneutic of modernization.
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Wiktor Marzec is a sociologist and philosopher. His principal research interests lie in
the field of social theory and political philosophy. Fields of studies thus far have been
in the sociology of sexuality, cultural aspects of urban modernity and the social history of the city of Lodz. At present he works on the crossroads of labour history, historical sociology and political philosophy, and his main current research concerns intellectual emancipation and the articulation of political subjectivities among workers during the 1905–7 Revolution in the Kingdom of Poland. Currently he is pursuing a doctoral degree in sociology and social anthropology at CEU, Budapest .
Agata Zysiak is a sociologist of culture and a local activist, currently a PhD student at University of Lodz (Poland), where she works on post-war modernization of science in Polish universities. Her main areas of interests are urban studies, social memory and historical sociology. Currently she is involved in a few research projects concerning biographical method, local debates about modernity and social history of Lodz. She works as well in a local NGO, gathering oral histories of Lodz's citizens.