I'm not sure just how traditional Fanning is. His use of Vendler, in many ways, moves him out of the traditional realm.Jonathan Robie wrote:Rijksbaron is refreshing, and Aubrey's table is great. Micheal Palmer's grammar also gives simple, precise explanations. You don't need to think like a classicist from the last century to understand these things, and you don't have to know much about linguistics. Here's hoping we'll see a new generation of biblical Greek textbooks based on these approaches. I think we're at the point that it's a lot easier to teach this traditional ("Fanning") view to people who have grown up thinking like modern Americans.
But I don't think we've convinced some very good scholars like Rod Decker yet. Now that we've moved the thread, perhaps he will join the discussion. And if so, I hope we will make it a discussion rather than a debate, sometimes we've gotten a little too excited about this topic.
I would, however, like to pose a couple questions to Dr. Decker with the hope that we can have a true discussion without debate.
Ironically, there are others who view the perfect as a third aspect--including most proto-Indo-Europeanists (see, Jasanoff 2005; Clackson 2007; Wikipedia: Proto-Indo-European Verbs) at least in its later stage following the splitting off of Hittite), but their definitions of the perfect have far more in common with Fanning's "a state which results from a prior occurrence" (Fanning 1990:119).RDecker wrote:The biggest area of disagreement relates to time and the verb. Fanning and those who follow him (e.g., Wallace) insist that time is still part of the meaning of tense in the indicative mood, though it is secondary to aspect. Porter (and those of us who follow his system) argue that time is *not* part of the semantic meanings of tense, not even in the indicative, but that time comes from a combination of tense and context. Both agree that outside the indicative time is *not* part of the meaning of tense. The other unresolved issue is what to do with the perfect tense. Fanning includes it in his 2-aspect system; Porter contends that it is a *third* aspect which he calls stative. (This is a *different* category than what are sometimes called stative verbs; though there is some similarity in meaning, they are expressed differently: one lexically and one grammatically.) There is also more diversity on the future tense (which has been classed as any of the 2 or 3 aspects, and some even a 4th!), but that is not, IMHO, as significant as the questions re. the perfect. Obviously much, much more could be (and has been!) said, but that, I think, is the heart of it. (You'll notice that this is a different approach/description than Rijksbaron whom Jonathan suggested above.)
Anyway...that's really not my question--just an observation. I'm wondering, however, why you view the various approaches of Fanning, Porter and others are particularly distinct from those of Rijksbaron. Porter defines the stative differently than Rijksbaron, but Rijksbaron's definition of the perfect value is thoroughly (avoiding the temptation to say "perfectly")in line with that of Fanning: "The perfect stem signifies both that a state of affairs is completed and that as a result a state exists (stative-confective value)." (Rijksbaron 2007:1)
So the questions are:
1) Does your statement about the difference of Rijksbaron only apply to Porter?
2) If not, then how do you view Rijksbaron's as different from Fanning? (that is to say, help me to see the difference too!)