26. vathsapaalacharaH kopi vathsaH
sreevathsalaanChanaH
uthsavaaya kadhaa bhaaveeth
ithi uthsuke mama lochane
My two eyes,mama lochane, are exuberantly looking forward, uthsuke, to the time when, the wonderful child., kopi vathsaH, marked, laanChithah, with srivathsa and moves with the young boys who tend the calves, VathsapaalacharaH, will appear to me, kadhaa bhaaveeth, for enjoyment uthsavaaya..
Vathsapaala is the one who tends the calves while gopala is the one who tends the cows. The word shows
27. maDhrimabharithe manobhiraame
mrdhulathara smitha mudhritha aananendhou
thribhuvana nayanaikalobhaneeye
mahasi vayam vrajabhaaji laalasaaH smaH
We are enraptured, laalasaH smaH, in that light, mahasi, that is
28.mukhaaravindhe makarandhabindhu
nishyandhaleelaa muraleeninaadhe
vrjaanganaapaanga tharanga bhrnga
sankraamabhoomou thava laalasaaH smaH
We have desire, laalasaH smaH, for your lotus-face, mukhaaravindhe, which lets out the stream of honey, makarandhabindhu nishyandhaleelaa, in the form of the music of the flute, muraleeninaadhe, and the battlefield of the bees, bhrnga sankraamabhoomou, which advance in waves of the glances of the gopis, vrjaanganaapaanga tharanga.
The face of
29.aathaamra aayatha lochanaamSulaharee
leelaasuDha apyaayithaiH
geethaamreditha dhivyakelibharithaiH
spheetham vrajasthreejanaiH
svedhaambhaH kaNabhooshithena
kimapi smereNa vakthrendhunaa
paadhaambhoja mrdhuprachaara subhagam
paSyaami dhrSyam mahaH
I see, paSyaami, a vision of light, dhrsyam mahaH, that is Krishna, who is moving with soft and beautiful feet like lotuses, paadhaamboja mrdhuprachara subhagam, and whose moon-like face, vakthrendhunaa, adorned with drops of sweat, svedhaambhahkaNabhooshithena, is wonderful with smile, kimapi smereNa which has grown, spheetham, by the gopis, vrajasthreejanaiH, who are filled with the increased playing of the nectarine music, geethaamreditha dhivaykelibharithaiH, from the flute and who are immersed, aapyaayithaiH, in the flood of rays, amSulaharee, from the long and slightly red eyes, aathaamraayatha lochana, of Krishna.
30. paaNou venuH prakrthisukumaara
aakrthou baalyalakshmeeH
paarSve baalaaH praNayasarasa
aalokitha apaanga leelaaH
moulou barham maDhura vadhana
ambhoruhe mougDhyamudhra ithi
aardhraakaaram kimapi kithavam
jyothiH anveshayaamaH
We search for some wonderful light, kimapi jyothiH, that is Krishna, the charmer, kithavaH, who has the flute in his hand, paaNou veNuH, the youthful bloom visible in the beautiful body, prakrthisukumaara aakrthou baalyalakshmeeH, by whose side there are love-stricken young girls, paarSve baalaaH, with longing glances, praNayasarasa aalokitha apaanga leelaaH, whose head is adorned with peacock feather, moulou barham, in whose sweet face there is the sign of innocent charm, maDhura vadhana ambhoruhe mougDhyamudhra, thus pleasantly cool, aadhraakaaram, and charming.
In this sloka Leelasuka paints a beautiful portrait of
31. aarooDa veNu tharuNaaDharavibhrameNa
maaDhuryaSaali vadhanaambujam udhvahanthee
aalokyathaam kim anayaa vanadhevathaa vaH
kaiSorake vayasi kaapi cha kaanthiyashtiH
Oh forest deities! vanaheavthaaH, What do you get from this forest, kim anayaa? See this climbing creeper shining, kaanthiyashtiH, in its childhood , kaiSorake vayasi, having a sweet looking face like a lotus, maaDhuryaSaali vadhanaambujam udhvahanthee, with the flute on his beautiful lips, aarooDaveNu tharuNaaDhara vibhrameNa.
.
Here in this sloka Leelasuka portrays
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