(b. Dec. 12, 1863, Löten, Nor.--d. Jan. 23, 1944, Ekely, near Oslo)
Norwegian painter and printmaker whose intense, evocative treatment of psychological and emotional themes was a major influence on the development of German Expressionism in the early 20th century. His painting The Cry (1893) is regarded as an icon of existential anguish.
A gifted Norwegian painter and printmaker, Edvard Munch not only was his country's greatest artist, but also played a vital role in the development of German expressionism. His work often included the symbolic portrayal of such themes as misery, sickness, and death. The Cry, probably his most familiar painting, is typical in its anguished expression of isolation and fear.
The Scream (or The Cry)
1893; 150 Kb; Casein/waxed crayon and tempera on paper (cardboard), 91 x 73.5 cm (35 7/8 x 29"); Nasjonalgalleriet (National Gallery), Oslo
The Scream (or The Cry)
180 Kb; Same artwork as above, different photograph
Munch was born on Dec. 12, 1863, in Loten, Norway. He grew up in Christiania (now Oslo) and studied art under Christian Krohg, a Norwegian naturalistic painter. Munch's parents, a brother, and a sister died while he was still young, which probably explains the bleakness and pessimism of much of his work. Paintings such as The Sick Child (1886), Vampire (1893-94), and Ashes (1894) show his preoccupation with the darker aspects of life.
1894; Oil on canvas, 120.5 x 141 cm; Nasjonalgalleriet (National Gallery), Oslo
Munch traveled to Paris in 1885, and his work began to show the influence of French painters--first, the impressionists, and then the postimpressionists--as well as art nouveau design. Like many young artists Munch reacted against conventional behavior, and in 1892 he took part in a controversial exhibit in Berlin. His circle of friends included several writers, one of whom was the Norwegian playwright Henrik Ibsen. Munch designed the sets for several of Ibsen's plays.
Between 1892 and 1908, Munch spent much of his time in Paris and Berlin, where he became known for his prints--etchings, lithographs, and woodcuts. After 1910 Munch returned to Norway, where he lived and painted until his death. In his later paintings Munch showed more interest in nature, and his work became more colorful and less pessimistic. Munch died in Ekely, near Oslo, on Jan. 23, 1944. He left many of his works to the city of Oslo, which built a museum in his honor.
Evening on Karl Johan
1892; Oil on canvas, 84.5 x 121 cm; Rasmus Meyer Collection, Bergen
1894-95; Oil on canvas, 91 x 70.5 cm; National Gallery, Oslo
1895; Oil on canvas, 150 x 110 cm (59 5/8 x 43 1/4 in); Nasjonalgalleriet (National Gallery), Oslo
Self-Portrait with Burning Cigarette
1895; Oil on canvas, 110.5 x 85.5 cm; National Gallery, Oslo
Death in the Sickroom
c. 1895; Oil on canvas, 59 x 66 in; National Gallery, Oslo
The Dance of Life
1899-1900 (120 Kb); Oil on canvas, 49 1/2 x 75 in; National Gallery, Oslo
The Dead Mother
1899-1900 (130 Kb); Oil on canvas, 39 3/8 x 35 3/8 in; Kunsthalle, Bremen
Self Portrait: Between Clock and Bed
1940-42; Oil on canvas, 149.5 x 120.5 cm; Munch Museum, Oslo
Photographs by Mark Harden.