Scroll down to view Calls for papers, Conferences and panels, Current productions,
and Special events, as well as links to archives for past events.
We would appreciate it if you could send us any current information for the following categories to make them as detailed as possible; include past, current and future events so that people can use this as an archive. Send information to webmaster Sue Abbotson. We try to keep only upcoming events on this page--but you can link in each section to archive pages for information on past conference papers, productions and events.

N.B.  For information on the  Arthur Miller Journal--including how to subscribe and content lists for
previously published isssues,  go to the Journal website.

The Arthur Miller Theater at the University of Michigan

picture of theater 

Calls For Papers:

The Arthur Miller Society is always looking for anyone who would like to organize Miller panels at conferences, such as ALA, SAMLA, NEMLA, CDC, American Studies, ASTR or ATHE--please contact our current President, Paula Langteau, with proposals/details.

During Arthur Miller's 2015 centennial year, the expectation is that conferences, theaters
and publishers will be especially interested in engaging with Miller material,
and so we encourage you to share any plans for celebrations,
publications or productions with the society that we can help to publicize,
or solicit us for ideas/assistance.

Ongoing CFP:

Arthur Miller Journal
Looking for papers on any aspect of the life and work of Arthur Miller for the Arthur Miller Journal which is published Spring and Fall. Go to the Journal page for more detail regarding submissions, subscriptions, contact e-mails for the various editors, and for contents of past volumes. You can make a submission to the Journal of an essay, performance review, or book review, as well as offer material for the notes section--directly at this website. If a Miller play is being produced in your area (check the listings below)--please attend and upload your review through the above link (website).

Hungarian Journal of English and American Studies  published near the close of 2006 a special Arthur Miller Edition: Volume 11, Number 2 (2005):  ISSN:  12 18-7364  that contains several new essays on Miller's work--see details in the archive link below for Special Events/News/Releases 2007 regarding how to order yourself a copy.  The Journal is meanwhile looking for further submissions:  Manuscripts should conform to the latest edition of the MLA Handbook in all matters of style (parenthetical citations keyed to a works-cited list). Contributions on history should conform to the latest edition of the Chicago Manual of Style. All submissions should be sent together with a disk copy of the article in Word 95 for Windows. All correspondence should be addressed to the Editor, HJEAS, University of Debrecen, Pf. 73, Hungary 4010; e-mail:

  JCDE: Journal of Contemporary Drama in English, published by De Gruyter (Berlin/Boston)    
A bi-annual, peer-reviewed journal that focuses on contemporary Anglophone dramatic literature and theatreperformance. It renegotiates the understanding of contemporary aesthetics of drama and theatre by treating dramatic texts of the last fifty years, and welcomes essays on the work of Arthur Miller. Essays should be no longer than 8,000 words (including notes and bibliography) and should be formatted according to MLA style (7th edition, 2009.
ESSAY CONTRIBUTIONS should be sent to: Prof. Dr. Martin Middeke, Chair of English Literature, University of Augsburg, Universitaetsstraße 10, D-86159 Augsburg, Germany.   

SUGGESTIONS FOR REVIEWS should be sent to: Prof. Dr. Christina Wald, Humboldt Universität zu Berlin, Philosophische Fakultät II, Institut für Anglistik und Amerikanistik, Unter den Linden 6, D-10099 Berlin, Germany.   

The Journal of American Drama and Theatre -- a fully online and peer-reviewed journal -- is currently seeking submissions for upcoming issues. If you are working on an article related to theatre and/or drama of the Americas, consider submitting it to JADT. Full submission guidelines can be found here, and the current issue (guest-edited by ATDS) can be viewed here.  Details of the next ATDS guest-edited and themed issue will be available soon!
CFP and other scholarly opportunities with Deadlines:

The Arthur Miller Society
Call for Papers
The American Literature Association Conference
May 26-29, 2016
San Francisco

Deadline for proposal submissions to the Arthur Miller Society:
January 8, 2016
The Arthur Miller Society hopes to have a society business meeting and two panels of three papers each at the American Literature Conference. Proposals for papers on any aspect of Millers works or life will be considered. The topics of the panels will be determined after proposals for individual papers are submitted. Please email individual paper proposals for this conference to David Palmer ( or to Peter Hays ( by Friday, January 15, 2016. Decisions on papers accepted by the Arthur Miller Society will be made by January 25.

The Arthur Miller Society
Call for Papers
Comparative Drama Conference
March 31 – April 2, 2016

Deadline for proposal submissions to the Arthur Miller Society:
November 27, 2015
The Arthur Miller Society hopes to have two panels of three papers each at the Comparative Drama Conference. Proposals for papers on any aspect of Millers works or life will be considered. The topics of the panels will be determined after proposals for individual papers are submitted. Please email individual paper proposals for this conference to David Palmer ( by Friday, November 27. Decisions on papers accepted by the Arthur Miller Society will be made in the first week of December. Decisions on whether the Miller Society panel proposals have been accepted by the Comparative Drama Conference will be made in February 2016.

The Travis Bogard
Artist in Residence Program at Tao House

Invites Developing or established Playwrights, Scholars or Critics in the Performing Arts
to apply for a working retreat of up to a month at the Eugene O’Neill National Historic Site, Danville, CA.
As a Tao House Fellow you will:
• work in the solitude and quiet of Tao House, in the creative atmosphere in which America’s only Nobel Prizewinning
playwright produced his masterpieces. (N.B. Subject of
work need not relate to O’Neill.)
• live offsite in comfortable, contemplative surroundings. Meals and local transportation are provided.
• have access to the Tao House Research library holdings in American Theatre, which include documents,
photographs and unique collections on O’Neill’s life and work.

• select your preferred residence between May 1 & October 31, 2016.
Application deadline: November 30, 2015.
For full details and to apply, go to

The German Society for Contemporary Theatre and Drama in English (CDE)
is pleased to announce its 25th Annual Conference (26-29 May 2016).
It is organized by the Chair of American Studies, Faculty of Languages and Literatures,
at the Catholic University of Eichstätt-Ingolstadt/Germany, and will be held as
a residential conference at the Collegium Willibaldinum in Eichstätt.

Theater and Mobility
The 2016 CDE conference addresses the ongoing debate on issues of mobility in relation to contemporary drama and theater in English worldwide.
A multicultural and global world has triggered a widespread and increasing fascination with all aspects and processes related to mobility in the humanities and social sciences. Due to a traditional focus on theatre as a closed performance space, the “black box” (Balme 2014), a thorough and critical engagement with the topic is still in demand in theater studies. And yet, a wide and growing array of theatrical performances is intricately engaged with issues of mobility as they stage stories of transnational traveling and experiences of migrancy and diaspora (cf., for instance, African-American dramatist Lynne Nottage ‘s work, playwright Lisa D’Amour’s Pulitzer prize finalist Detroit, or the legacy of the Living Theater). How are these mobilities produced in contemporary plays? What is the role of media and digital technology in the staging of mobility on the supposedly static place called the stage? What can be said about the aesthetics of speed and mobility on the contemporary stage? How can theater move out of the “black box,” create and enrich public spheres and eventually contribute to a revitalized civic culture? Increasing and intensified discussion of and research on mobility is essential to theater studies. The 2016 CDE conference aims to reflect on theoretical, methodological and artistic work in order to throw light on mobility in the context of contemporary theater and drama in English.
We invite papers in English of 20 minutes length, with possible topics including (but not being limited to):
 the intellectual, affective and corporeal dimensions of mobility in theatrical practice
 forms of mobility in theater and drama with regard to texts and performance, the
audience, and the community
 transnational mobilities, migrant stories, positionings and contestations of the displaced,
exile and diasporic experience
 uses of media and digital technology
 speed, modernity, and the aesthetics of mobility
 moving places, mobile bodies: mobility and place/situatedness
 theater, conflict, and politics; theater-on-site, “theater in the streets”
 touring companies; transnational theater networks
 gender-, race- and class-inflected mobilities; social mobility, ghettoization
 intersections of disability and mobility on the theater stage
 traveling ideas: theater “out of the box” and into the public sphere
 issues of translation; semiotic mobility
In accordance with CDE’s constitutional policy, papers should deal exclusively with contemporary (i.e. post-1989) theatre and drama in English.
Abstracts: Abstracts (300 words) of suggested papers (20 minutes delivery max.) should include a short biographical note plus full address and institutional affiliation.
Deadline: 15 December 2015
Send to: Kerstin Schmidt ( and Nathalie Aghoro
N.B. Only paid-up members are eligible to give papers at CDE conferences. Membership subscriptions may
be taken out or renewed during the conference. For details, please contact CDE’s treasurer Monika Pietrzak-
Franger (

A Journal of Theatre and Performance of the Americas
Call for Papers: 2016 Issue
Theatre Annual is the oldest theatre periodical continuously published in America and is now an official publication of the American Theatre and Drama Society. We construe “American” broadly to include North, Central, and South America and the Caribbean Islands. Articles may treat work in these geographic areas; it may also treat work from these areas that is presented elsewhere in the world. We welcome articles on the history and ethnography of performance, drawing from such areas as theatre studies, performance studies, popular culture, music, anthropology, communication, dance, philosophy, folklore, history, and the special areas of interest that cross disciplinary lines. Please note that the focus on theatre and performance largely precludes essays focusing on literary criticism or theory.
For the 2016 issue, we invite articles that address the broad topic Critical Theatre/Theatrical Criticism. “Critical” can mean “crucial” or its cognates (“of decisive importance”); it also can mean “censorious” (faultfinding) or “offering informed interpretation.” Theatre and performance of the Americas are rife with instances both of providing voice and sustenance to communities and of speaking out against perceived injustice or enemies. Criticism as usually understood regarding theatre and performance typically takes the form of published reviews or orally delivered responses. Such criticism has the potential to be itself performative (theatrical). Blending the two parts of the topic, a theatrical endeavor may be undertaken as a critical response to an earlier work. So, when Rosalyn Drexler writes Room 17C as a feminist reworking of Death of a Salesman, she is leveling criticism via theatre (theatrical criticism) but also making a crucial intervention (writing critical theatre). While the 2016 issue seeks to foreground the topic above, papers are welcome on any subject that fits the journal’s mission.
Submissions should follow the guidelines in The Chicago Manual of Style (endnotes, no
Works Cited list). Authors should submit articles as Word attachments to the editor, Dorothy Chansky, Department of Theatre and Dance, Texas Tech University, using the email address In order to assist in the anonymous peer review process, the author’s identity should not be revealed in the manuscript except on a separate title page that should also include full contact information (academic affiliation, mailing address, home, cell, and work telephone numbers, and email address). Articles should be 5000-6500 words long including notes. Illustrations are highly desirable; authors are responsible for securing rights. Submission deadline is December 15, 2015. Please allow eight weeks for a response. More information available at

Below are photographs of Mr. Miller from the 9th International Arthur Miller Conference, taken by Dr. Jeffrey Mason, University of Oregon.

Conferences and Panels:
  (Link to AMS conference archive) (Link to ALA archive

Members, especially, please make every effort possible to attend any conference panels with
papers on Miller and
support the continuation of
Arthur Miller scholarship.

International Arthur Miller Centennial Conference
University of Extremadura, Cáceres, Spain November 19-21, 2015

Plenary speakers: Christopher Bigsby (Director of the Arthur Miller Centre for American Studies, University of East Anglia, UK, pending confirmation); Matthew Roudané (Georgia State University), Félix Martín Gutiérrez (Universidad Complutense de Madrid), and Ramón Espejo Romero (Universidad de Sevilla).

The Department of English of the University of Extremadura (Faculty of Arts and Letters) will host the International Arthur Miller Centennial Conference, in Cáceres, Spain on November 19-21, 2015. The conference aims to provide a forum for academic reflection into any aspect of the life and works of Arthur Miller. From the perspective of the 100th anniversary of his birth on October 17, 1915, Miller’s role in American literature and culture and his significant contribution to the reshaping of American theatre will be reassessed. This three-day conference will feature 4 plenary lectures, panels of concurrent paper sessions, 2 roundtable sessions, staged readings, and photographic and book exhibits. For further information, please visit the Conference website.

  The Arthur Miller Centennial   
October 16-18, 2015  
Sponsored by the Arthur Miller Society at St. Francis College, Brooklyn, New York was a great success thanks to all those who attended. Congratulations to Stephen Marino and St. Francis College for hosting such a wonderful event. Cambridge University Press has commissioned a volume of essays from among the presentations given at the conference, and expect to see other papers printed in future editions of the Arthur Miller Journal.

William Inge Theater
Outside the William Inge Theatre they have
planted a tree for each past Honoree of the
William Inge Festival Achievement Award
who has passed on.
The tree they planted in Miller's
memory right outside the
William Inge Theatre in
Independence, Kansas.
Here is the plaque at the base of the tree.

Current Stage Productions (Link to Archive)
A useful place to check for upcoming productions of plays is the DPS website, where you can search by the playwright to see which plays have been licensed through them for production (both professional and non-professional). The listings below, however, contain more details and generally more up-to-date information.

If you are looking for a Miller expert to provide a lecture, keynote, seminar or talkback in conjunction with a production, please contact us and we will try and put you in touch with any scholars in your area.

  • Productions During 2016
    • All my Sons Oct./Nov. (dates TBA) by Pewter Plough Players, 824 Main St, Cambria, CA. Call 805 927-3877 or check the website.
    • Death of a Salesman 21 July-6 Aug. by Vokes Players, at Beatrice Herford's Vokes Theatre, 97 Boston Post Road (Route 20), Wayland, MA. Directed by John Barrett. Call (508) 358-4034 or check the website.
    • All My Sons 4 June 9 July by Sydney Theatre Company, in the Roslyn Packer Theatre, Pier 4, Hickson Road
Walsh Bay NSW, Australia. Directed by Kip Williams, with John Howard and Robyn Nevin. Call (02) 9250 1777 or check the website.
    • Death of a Salesman 4 June-2 American Players Theatre, for Play in the Woods, 5950 Golf Course Road, Spring Green, WI. Call 608-588-2361 or check the website.
    • The Price 20 May-26 June by Melbourne Civic Theatre, 817 E Strawbridge Ave, Melbourne, FL. Call (321) 723-6935 or check the website.
    • Death of a Salesman 20 May-11 June by Live Arts Inc., 123 East Water St., Charlottesville, VA. Call (434) 977-4177 x123 or check the website.
    • Death of a Salesman May-June of 2016 by New Theatre at South Miami-Dade Cultural Arts Center, 10950 SW 211th St., Cutler Bay, FL. Call 786-573-3500 or check the website.
    • Death of a Salesman 28 April-29 May by Artswest Playhouse, 4711 California Ave SW Seattle, WA. Directed by Mathew Wright. Call (206) 938-0339 or check the website.
    • The Crucible 14 April-8 May by Hubbard Hall Theater Company, 25 E Main St, Cambridge, NY. Call (518) 677-2495 or check the website.
    • Death of a Salesman 22 April-15 May by Williams Street Repertory, 26 N. Williams St., Crystal Lake, IL. Call (815) 356-9212 or check their Facebook page.
    • A View from the Bridge 30 April-22 May by Bergen County Players, 298 Kinderkamack Rd, Oradell, NJ. Directed by Jacqueline McElroy-Poquette. Call (201) 261-4200 or check the website.
    • A View from the Bridge 29 April-8 May by Theatre Box, 35 Verbena Avenue, Floral Park, NY. Call Call (516) 900-2031 or check the website.
    • The Crucible 8-23 April by Boise Little Theater, 100 E Fort Street, Boise, ID. Directed by Frank White. Call (208) 342-5104 or check the website.
    • All My Sons 8-24 April by Raven Theatre. 115 North Street Healdsburg, CA. Directed by Carl Hamilton. Call 707-431-7790 ext. 11 or (707) 433-6335 or check the website.
    • All My Sons 8-16 April by Southwest Playhouse, N 6th St, Clinton, OK. Call (580) 323-4448 or check the website.
    • The Crucible 25 March-10 April by Portland Players, 420 Cottage Rd., South Portland, ME. Directed by Michael Donovan. Call (207) 799-7337 or check the website.
    • The Crucible 4-13 March  by Younts Center for Performing Arts, 315 N Main St, Fountain Inn, SC. Call (864) 409-1050 or check the website.
    • Death of a Salesman 3-13 March by Centerstage Lake Forest, 400 E Illinois Rd, Lake Forest, IL. Directed by Barbara Anderson. Call (847) 234-6062 or check the website.
    • The Crucible 26 Feb.-19 March by Center Point Legacy Theatre, 525 N 400 W, Centerville, UT. Call (801) 298-1302 or check the website
    • The Crucible 18 Feb.-19 March by the Royal Lyceum Theatre, Grindlay Street, Edinburgh, Scotland, UK. Directed by John Dove. Call +44 131 248 4848, or check the website.
    • Death of a Salesman 19 Feb.-13 March by Prospect Theater Project, 1214 K St, Modesto, CA. Directed by David Barbaree, with Jack Souza. Call (209) 549-9341 or check the website.
    • The Crucible 24-28 Feb. by University of New Hampshire Theater, 30 Academic Way, Durham, NH. Call (603) 862-7222 or check the website.
    • Death of a Salesman 19 Feb.-13 March by Lakewood Playhouse, 5729 Lakewood Towne Center Blvd SW, Tacoma, WA. Call (253) 588-0042 or check the website.
    • The Crucible 29 Feb. previews, to open 7 April (until 17 July), Walter Kerr Theatre, 219 W 48th St, New York, NY. Produced by Scott Rudin. Directed by Ivo van Hove with Ben Whishaw, Sophie Okonedo, Saoirse Ronan, Ciarán Hinds, Jim Norton, Tavi Gevinson, Jason Butler Harner, and Bill Camp. Set design by Jan Versweyveld. Philip Glass to provide an original score. Call: (212) 307-4100 or check the website.
    • The Crucible 19-28 Feb. by Blackbird Theater Company & the Lipscomb University Department of Theatre, performances at Hillsboro High School, 3812 Hillsboro Pike, Nashville, TN. Directed by Beki Baker. Check the website for more information.
    • All My Sons 12-21 Feb. by Grand Canyon University, 3300 West Camelback Road, Phoenix, AZ. Call 602-639-8880  or check the website.
    • All My Sons 22 Jan.- 16 April by Montana Repertory Theatre, as part of their winter national tour. Directed by Jere Hodgin. Check the home website or their agent for more information.
    • All My Sons 22 Jan-7 Feb. by The Modern Theater Coeur d'Alene, 1320 E. Garden Ave., Coeur d'Alene, ID. Call 208-676-7529 or check the website.
    • All My Sons 15 Jan.-21 Feb. by StagesTheatre, 400 E Commonwealth Ave, Fullerton, CA. Call (714) 525-4484 or check the website.
    • Death of a Salesman 27 Jan.-7 Feb. by Wichita Community Theatre, 258 N Fountain St, Wichita, KS. Directed by Bill Coleman. Call (316) 686-1282 or check the website.
    • All My Sons 15 Jan.-7 Feb. by Irish Classical Theatre, 625 Main Street, Buffalo, NY. Call (716) 853-ICTC or check the website.
    • Death of a Salesman 15-31 Jan. by Palo Alto Players, 1305 Middlefield Rd # 1, Palo Alto, CA. Call (650) 329-0891 or check the website.
    • The Crucible 28-31 Jan. by Xclaim, Inc., 502 College St, Bowling Green, KY. Call (502) 708-5739 or check the website.
    • The Crucible 15-24 Jan. by  Community Players Theatre, 201 Robinhood Ln, Bloomington, IL. Call:(309) 663-2121 or check the website.
    • All My Sons 7-17 Jan. by Riverwalk Theatre, 228 Museum Drive, Lansing, MI. Directed by Bob Robinson. Call 517 482 5700 or check the website.
    • The Crucible 15-31 Jan. by New Hampshire Theatre Project, 959 Islington Street, Portsmouth NH. Directed by Genevieve Aichele. Call 603-431-6644 or check the website.
    • All My Sons at Stratford Festival, 55 Queen Street, Stratford, ON, Canada. Dates TBA. With Joseph Ziegler, Lucy Peacock, Sarah Afful, Lanise Antoine Shelley and E.B. Smith. Call 1 800 567 1600 or check their website for more details.
    • A View from the Bridge 21 Oct.-21 Feb. Previews Oct. 21 and officially opens on November 12 at the Lyceum Theatre for an 18-week limited engagement. Directed by Ivo van Hove, with Mark Strong, Nicola Walker, Michael Gould, Emun Elliott, Phoebe Fox, Russell Tovey, and Luke Norris. Design and Light by Jan Versweyveld. Call 800 901 4092 or check the website.
    • A Memory of Two Mondays by Defibrillator Theatre, London, UK. Directed by Robert Hastie. Plans are to stage the play in a warehouse setting. Check the website for updates. Original plan to mount it the Fall of 2015 fell through--but perhaps in 2016.
  • Productions During 2015
    • No Villain8 Dec.-9 Jan. by The Old Red Lion Theatre, 418 St. John Street, Islington, London, UK (in association with the Miller Trust). Directed by Sean Turner, with Adam Harley, David Bromley, Nesba Crenshaw, Stephen Omer, Anton Cross, Kenneth Jay, George Turvey, and Helen Coles. Call 0844 412 4307 or check the website. The premier of Miller's first ever play, written as a student at the University of Michigan.
    • All My Sons 3-13 Dec. by Wanderlust Theatre Co. at Cité des Arts, 109 Vine Street, Lafayette, LA. Call (337) 291-1122 or check the website.
    • All My Sons 28 Oct.-5 Dec. (Ils étaient tous mes fils) in French at Théâtre Jean-Duceppe Place des Arts, 175, rue Sainte-Catherine Ouest, Montréal (Québec), Canada. Directed by Frédéric Dubois, with Michel Dumont, Benoît McGinnis, Louise Turcot, Évelyne Rompré, and Vincent-Guillaume Otis. Set design by Olivier Landreville. Call 514-842-2112 or check the website.
    • All My Sons 11 Oct.-21 Nov. by A Noise Within, 3352 E Foothill Blvd., Pasadena, CA. Directed by Geoff Elliott, with Geoff Elliott, Deborah Strang, Rafael Goldstein, Maegan McConnell, and Aaron Blakely. Call 626.356.3100 x1 or check the website. This includes a symposium with a lecture from a noted scholar on Wednesday, October 14 at 6:30 pm prior to the performance, and post-performance conversations with the artists on Friday, October 30 at 8:00 pm, Friday, November 6 at 8:00 pm and Sunday, November 15 at 2:00 pm.
    • Death of a Salesman 18-29 Nov. by Mugford Street Players, at Marblehead Little Theatre, 12 School St., Marblehead, MA.  Directed by John Fogle, with  Alex Alexander, Mark Bourbeau, Jeff Bellin, Dan Boudreau, Owen Burke, Natasha Di Fiore, Timothy Kenslea, Sharon Mason, Michael McMamara, Johnny Redmon, Geoff Van Wyck and Kate Ventimiglia. Set design by Jean Fogle and Brian Casey. Call 781-962-0409 or check the website.
    • A View from the Bridge 18-22 Nov. by Theatre Department of Marymount Manhattan College, 221 E. 71 St. New York, NY. Directed by Antonio Suarez. Call (212) 517-0400 or check the website.
    • The Crucible 13-22 Nov. by The Edge Theatre Ensemble Company at Heberton Hall (Keene Public Library Annex), 76 Winter St., Keene, NH. Directed by Kim Dupuis. Call (603) 352-5657 or check the website.
    • All My Sons 13-22 Nov. by Theatre on the Bay, on the Nancy Gehrke Stage in the Herbert L. Williams Theatre at University of Wisconsin-Marinette, WI. Directed by Rebecca Stone Thornberry, with John Thornberry, Lisa Atkinson-LeBoeuf, Jake Falk, Catherine VanVooren, and Tristan Schuh. Set design by John Thornberry. Call 715-735-4300 ext. 4342 or check the website.
    • The Crucible 13-21 Nov. by Edgewood Theatre Arts, 1000 Edgewood College Drive, Madison, WI. Directed by Jeanne Leep. Call (800) 444-4861 or check the website.
    • The Crucible 10-14 Nov. by Edinburgh University Theatre Company, at  Bedlam Theatre, 11b Bristo Place, Edinburgh, Scotland, UK. Directed by Elske Waite, with Sasha Briggs, Douglas Clark, Jon Oldfield, Benjy Gibson, George Prove, Alice Markey, and Kathrine Payne. Using handmade costumes and creating a 17th century barn-like auditorium in which the audience will be seated on pews. Call +44 (0)131 629 0430 or check the website. If you wish to make a donation to help them create this production go to this website. You can also check out their Facebook page.
    • All My Sons 6-22 Nov. by Snug Theatre, 160 S. Water St., Marine City, MI. Directed by Nancy Arnfield, with Dennis Kleinsmith, Nancy Penvose, Aaron Dennis Smith, Laura Lynn Lavely, and Matt Siadak. Call 810 278 1749 or check the website.
    • A View From the Bridge 30 Oct.-21 Nov. by Theatre Southwest, 8944A Clarkcrest, Houston, TX. Directed by Scott McWhirter, with Scott Holmes, John Mitsakis, Helen Rios, Melissa J. Mayo, Allen Dorris, and Sam Denomy. Call 713-661-9505 or check the website.
    • The Crucible 30 Oct.-15 Nov. by Hendersonville Little Theatre, 229 S. Washington Street, Hendersonville, NC. Call 828-692-1082 or check the website.
    • Incident at Vichy 27 Oct. -6 Dec. Now extended to Dec. 13. at Signature Theatre Company, The Pershing Square, Signature Center, 480 West 42nd Street, New York. Directed by Michael Wilson, with Richard Thomas, Jonathan Hadary, Jonny Orsini. David Abeles, Curtis Billings, James Carpinello , AJ Cedeño, Quinlan Corbett, Brian Cross, Demosthenes Chrysan, Jonathan Gordon, Alex Morf, Darren Pettie, John Procaccino, Alec Shaw, Derek Smith, and Evan Zes. Scenic design by Jeff Cowie. Call 212-244-7529 or check the website.
    • A View from the Bridge 21 Oct.-21 Feb. Previews Oct. 21 and officially opens on November 12 at the Lyceum Theatre for an 18-week limited engagement. Directed by Ivo van Hove, with Mark Strong, Nicola Walker, Michael Gould, Emun Elliott, Phoebe Fox, Russell Tovey, and Luke Norris. Design and Light by Jan Versweyveld. Call 800 901 4092 or check the website.
    • Death of a Salesman 13-22 Nov. by  Lake Tahoe Community College in their Duke Theatre, One College Drive, South Lake Tahoe, CA.  Directed by Susan Boulanger, with Chris Taylor, Aletha Nelligan, Thomas Lopez, and Matthew Ault. Call 530 541-4660, ext. 207 or check the website for more information.
    • All My Sons27 Oct.-15 Nov. (opening 30 Oct.) by Virginia Stage Company at the Wells Theatre, 108 E. Tazewell St., Norfolk, VA. Directed by Chris Hanna, with Jeff Barry, Christopher McHale, Kate Udall, and Chiara Motley. Call 757-627-1234 or check the website.
    • Death of a Salesman 8 Oct.—22 Nov. in Yiddish, with English supertitles by the New Yiddish Repertory at Theater Castillo Theater, 543 West 42nd Street, Clinton, NY. Directed by Lester Thomas Shane, with Avi Hoffman, Daniel Kahn, Lev Herskovitz, Suzanne Toren, and Shane Baker. Tickets go on sale Aug. 15th. Call (212) 941-1234, or check their website. Though drawing on the 1951 Joseph Buloff translation--Toyt fun a Salesman--this is a new, more expansive translation.
    • A View From The Bridge 11-14 Nov. at Nottingham New Theatre (Nottingham Univerity student theatre), Cherry Tree Hill, Uni Park, Nottingham, UK. Directed by Gus Herbert. Email or check out the website.
    • The Price 18 Aug.-22 Nov. by TimeLine Theatre, 615 W. Wellington, Chicago, IL. Directed by Louis Contey, with Mike Nussbaum, Kymberly Mellen, Roderick Peeples and Bret Tuomi (Terry Hamilton replaces Tuomi beginning October 21). Stage design by Brian Sidney Bembridge. Call 773 281 8463 or check the website.
    • The Crucible 6-14 Nov. by The Questors in the Judi Dench Playhouse at The Questors Theatre, Mattock Lane, Ealing, London, UK. Call 020 8567 5184 or check the website.
    • The Crucible 10-14 Nov. by Apollo Productions at Otherplace at the Basement, 24 Kensington Street, Brighton, UK. Directed by Conor Baum, with Louis Livesey-Clare, Anna Fenton-Garvey, Grace Riach, and Maddy Barnes. Call +44 1273 699733 or check the website.
    • The Crucible 13-15 Nov. by  University Theatre at Indiana University Kokomo, in Kresge Auditorium, 2300 S Washington St, Kokomo, IN. With Summer Cottrell. Check the website for details.

    FILM INFORMATION (21st century developments): 

    Special Events/News/Releases for 2015-2016 (Link to Archive for past years)

    miller theater

    Inside the Arthur Miller Theater at the University of Michigan in which they produced All My Sons
    in October 2015 to mark the Miller Centenary.

    Recent Books on Miller (2011--current)   Archive 2005-2010